For cinematic girls, be they
Gone or
Wild.
For is & Hers performances, be they in quirky suicide dramedies (
The Skeleton Twins), Detroit-set vampire films (
Only Lovers Left Alive), or fragmented grief studies (
The Disappearance of Eleanor Rigby: Them).
For "Lone female" roles in Hollywood hits elevated by their performers, be they comedic (Rose Byrne in Neighbors) or action-packed (Emily Blunt in Edge of Tomorrow)
For witty nonfiction books by funny ladies, be they by harried working moms (Yes Please) or cripplingly anxious oversharers (Not That Kind of Girl)
For Angry Julia, be she furrowing her brow along to Larry Kramer's words (in
The Normal Heart) or losing an Emmy shortly thereafter.
For funny ladies on the small screen, be they vice-presidents (
Veep), convicted gals (
Orange is the New Black), or eponymous protagonists (
Jane the Virgin).
For Hedwig's return to Broadway, be he played by a Broadway supernova (Neil Patrick Harris) or one in the making (Andrew Rannells).