Next on Hit Me: You Can't Stop This Letter to Pocahontas!
Wednesday, March 26, 2014 at 5:30PM
NATHANIEL R in Hit Me With Your Best Shot

We kicked off Season 5 of Hit Me With Your Best Shot with two undisputed modern classics Eternal Sunshine and LA Confidential but it's time to get a little more adventurous and rangey. Each season has a mix of classics, oddities, and at least one animated entry because though we originally conceived of the series as a tribute to cinematography it's become readily apparent that the best shots can come from the work from other departments, too. To join us simply a) watch the movie b) pick your favorite shot and c) post it somewhere public. Then we'll add you to our roundup. 

Tuesday April 1st
For April Fool's Day a legendary "so bad it's good" movie, Alan Carr's Village People musical CAN'T STOP THE MUSIC (1980) which won the very first Razzie award for Worst Picture. I'm sorry about the short notice but it's easy to find, so start dancing, queen.
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Tuesday April 8th
No film this week. I will be on my annual short post-Oscar vacation (April 4th-8th)

Tuesday April 15th
We'll be looking at William Wyler's noir adaptation of Somerset Maughan's THE LETTER (1940) which was nominated for 7 Oscars in its year including Picture, Cinematography and Best Actress Bette Davis. (This installment is multi-tasking. It'll also be our 4th episode of Seasons of Bette)
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Tuesday April 22nd
For Earth Day 2014, we'll sing with all the colors of the wind for Disney's POCAHONTAS (1995). I chose it principally because a) I've been trying to come up with an excuse to revisit it and b)  it's easy to access. I had some other ideas but you'd be surprised how few things are easily accessible these days if you have something specific in mind. If you're a browser it's all good but devoted film fans are in trouble. The morphing of Netflix and the crash of the physical disc system has really wreaked havoc on easy accessibility since streaming is such a tiny percentage of movies we're interested in.
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Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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