I recently had the pleasure of participating in a group project for the Broken Projector Podcast's 100th episode in which several cinephiles were asked to list 7 things they loved about the movies. You should listen to it! I got a little carried away and was too longwinded (sorry!) but I highly recommend a listen because even though I do carry one, others are more succinct and the podcast also features various writers from Film School Rejects and our friend Katey Rich among fabulous others. I purposely didn't lean into geek culture titans like Star Wars and Spielberg classics and all of that because I new they'd be amply covered. But yes, I love early Star Wars and early Spielberg, too. I just rarely talk about it because it's all you hear about elsewhere.
Anywayyyy... Not related but in a similar vein I chanced upon The Best Picture Project blog doing a 100 wide list, too, and... well, why limit myself to seven. So herewith, a mostly off the top of my head listing of
100 Things I Love About the Movies
(in no particular order and literally off the top of my head)
- The feeling of possibility in that moment when the curtains go up or, rather, expand to fit the wider screen
- Opening titles that are their own short entity, not just overlayed on the movie
- Musicals - for being the greatest of film genres and essentially combining every art form
- Women Who Lie To Themselves™ - the greatest of subgenres
- The Redford Theater in Detroit (which played old movies every other weekend on a massive screen with a live organ pre-show) which is where I first fell in love with Old Hollywood
- That time exiting a revival of Singin' in the Rain as a kid when I swung around a pole in unbridled enthusiasm for the movies
- The pride of learning every nonsense syllable of "We Go Together" from Grease
- My mom's deep enthusiasm for Witness (1985) and her weird guilt about loving it so much
- Dreading my dad's grumpiness when the family went to Titanic (1997) on a Christmas break only to realize he loved it. And how.
- Liz Taylor doing Bette Davis "What a dump!"
- When Dorothy Gale opens her door and leaves sepia tone behind for color
- The complete works of Pedro Almodóvar
- "I'm sorry, Dave. I'm afraid I can't do that."
- Moulin Rouge!
- Catherine Deneuve's hair
- Vivien Leigh's eyebrows
- Marilyn Monroe's voice
83 more things after the jump...
- Paul Newman's eyes
- Natalie Wood's lips
- Paul Rudd's nose
- Colin Farrell's eyebrows
- Montgomery Clift's angst
- Gene Kelly's everything
- Michelle Pfeiffer 'feeling so much yummier' in a catsuit
- "Spectacular! Spectacular! from Moulin Rouge!
- "You're a little liar aren't you?" Nicole Kidman in Birth
- Pandora's Box and The Passion of Joan or Arc, my two favorite silent films...
- But also: silent films in general
- Bette Davis's cackle in Whatever Happened to Baby Jane?
- That time I took my nephews to see Babe
- Michelle Pfeiffer on the piano top
- William Hurt and Kathleen Turner obviously not faking it in Body Heat
- Edward Scissorhands origin flashback
- Slow dissolves
- The posters of Bob Peak but especially Excalibur and Apocalypse Now
- The sound of lightsabers
- "All those moments will be lost... like tears in the rain"
- Rewinding "Mein Herr" over and over again when I first discovered Cabaret on VHS
- That the best movies are often about the movies
- The "Tom, Dick or Harry" number in Kiss Me Kate
- The middle seat in the middle row of the movie theater -location location location
- Agnes Moorehead in The Magnificent Ambersons
- River Phoenix in Running on Empty
- Lehi Roller Mills in Footlose, The Royal Tenenbaums home, and the apartment hallway in Trick... three locations which were familiar visions from real life and the big screen, too
- The rush of giddy feeling, without boundaries, whenever the girls are reunited in Heavenly Creatures
- Lillian Gish's rocking chair silhouette and Robert Mitchum's tattoos in The Night of the Hunter
- That shower room psychotic break in They Shoot Horses Don't They?
- The trail of the dress through grass in the opening of Howard's End
- Ada's suicide fantasy in The Piano, "there is a silence where hath been no sound..."
- That endless closeup of hilarious seduction in The Lady Eve
- Christina Ricci as Wednesday Addams
- "Damn. I said God Damn!" (Uma + Cocaine)
- Miranda Priestley's introduction in The Devil Wears Prada
- "The Man That Got Away" from A Star is Born
- The colors in Vertigo
- The score in Psycho
- The kiss in A Place in the Sun
- "It twirled up!"
- Nashville every single second of its 159 minutes (one of the rare movies that justify a crazy running time) but especially the beginning, the ending, and "It's Easy")
- Madison pronouncing her name in Splash
- That emerald green dress in Atonement
- The morning ritual editing of All That Jazz
- Michelle Pfeiffer's predator gaze in White Oleander
- Watching marquee letters being changed on Thursday nights at the local movie theater when I was a kid (back when they had to do it by hand with a ladder) what would the weekend bring?
- "Night on Bald Mountain" segment of Fantasia
- Renting Trouble in Paradise and watching it literally back to back from delight
- Winona Ryder's diary writing monocle in Heathers
- Jane Fonda checking her watch during a f*** in Klute
- Mia Farrow in Rosemary's Baby
- Spider-Man's upside down kiss
- Joan Crawford's about-face from soft (Grand Hotel) to hard (Rain) in 1932
- "Oh, insight!"
- Persona
- The first time seeing the T-1000 in action: jawdropping, frightening, exciting, everything.
- My very late arrival at the astonishments of Michael Powell & Emeric Pressburger (The Red Shoes, Black Narcissus) which served as a happy reminder that there is always more great cinema to discover
- "I got moves you've never seen."
- Sigourney Weaver's head-tilt before burning shit up in Aliens
- Waiting for Guffman
- Anjelica Huston's elevator descent in The Grifters
- The silhouette axe murder in Straitjacket
- Judi Dench's voiceover in Notes on a Scandal
- Studio logos, but especially Universal and Paramount and how the graphics change over the years
- That there's a perfect actor for every great director: Bless Robert Altman for Shelley Duvall
- Sound as character in The Conversation
- The crosscutt "Tonight" medley in West Side Story
- The subtitles in Annie Hall
- "Le Jazz Hot" in Victor/Victoria
- Being super embarrassed with my mom during the "fancy a swim?" scene in A Room With a View
- "Let's keep going" - that exchange of looks in Thelma & Louise
- The costumes of Bram Stoker's Dracula
- Anita Ekberg strolling through Rome with a cat on her head in La Dolce Vita
- Dianne Wiest in Bullets Over Broadway
- Deep focus
- "Jack, I swear."
- That time we went straight to Bring It On on the way home from hours at the beach all sandy and sunkissed and the movie was like even more sunshine. But less carcinogenic and way funnier.
- Greta Gerwig's "Modern Love" run in Frances Ha
- Oscar Nomination Morning
- "Too many things. Too many things. Too many things."
- That this list could stretch into 100,000 things and not just 100
- Leaving a movie theater on such a fizzy high that the world looks different to you when you emerge from the dark.
Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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