Midnight Special Coda
Friday, April 1, 2016 at 5:00PM
Murtada Elfadl in Adam Driver, Jeff Nichols, Joel Edgerton, Kirsten Dunst, Michael Shannon, Midnight Special

Here's Murtada with a spoilery deconstruction of one scene in Midnight Special

The coda after the ending of Jeff Nichols’ Midnight Special is between two characters that are not the family at the center of this sci fi story. The interaction between Joel Edgerton and Adam Driver made me realize why the movie left me emotionally cold. I cared more about these peripheral characters than the main characters, or the story. At least for a minute or two...

The story is ostensibly about a kid (Jaeden Lieberher) with supernatural powers, his parents (Michael Shannon and Kirsten Dunst), a friend of the dad (Joel Edgerton) on a cross country journey, fleeing from all the nefarious people trying to get their hands on this “gifted” kid. Driver is one of those villains, a NSA employee who might be the only person who understands what’s going on.

After the story basically ends Edgerton is surprised by Driver, appearing to interrogate him about the truth behind what has unfolded. It’s a smart recall to their only previous encounter, when Driver asks to be hit by Edgerton to fool the other government agents. They size each other up, not knowing how to react. The ball is Driver’s corner since he has the authority. Are they going to acknowledge each other? Is that punch finally coming Driver’s way? The stakes are smaller than the world weary mystery at the center of the movie, yet relatable because of that. It was something to cling on to in a movie that offered thin characterizations and a lot of empty tension that led nowhere.

Was it the actors? Yes Driver and Edgerton are both compelling. It was more the writing though. Shannon was given only one thing to play throughout: concern. There’s only so much a brilliant actor can do when asked to play one note for two hours. Edgerton only fared better because he had that scene, where he gets to play a few more notes, show a bit of humour and escape the dour seriousness of the rest of the movie. Driver had a bit more to play with, you never know what his motives are at any point which makes him interesting. Maybe it was the actor in his case; he’s certainly more compelling than any image or idea in this film.

And if you'd allow me an aside. Dunst fares the worst, and looks the worst. We understand trying to dim her light to make her look ordinary, but the heavy makeup and awful lighting were just too much. Why cast her if you really wanted someone who doesn’t look like her at all?

Midnight Special is not a very good movie, but there’s at least that one scene. Most critics loved this movie, has it worked for you?

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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