by Nathaniel R
Since scores are often one of the very last components to fall into place in post-production, determining which scores might stand out at year's end is like throwing darts blindfolded. Each year some composers are replaced between our first round of predictions and the time their films arrive. Plus some 2018 movies haven't even hired a composer yet. Presumably they're waiting for Alexandre Desplat's schedule to open up. Only half joking! The perpetually in demand French composer and double Oscar winner generally scores anywhere from 5 to 10 (gulp) movies a year and he only has three films currently scheduled for release in 2018 (Isle of Dogs, Operation Finale, and Kursk... though we suspect The Sisters Brothers will hit this year as well, making it 4). Other Oscar favorites who have suspiciously empty schedules this year include Hans Zimmer and Thomas Newman.
From the year's releases that we've already seen we're curious about how A Quiet Place and Black Panther might hold up in the sound categories, too, since both films are blockbusters and A Quiet Place, especially, relies heavily on its aural elements for its success.
In related news: Best Original Song is next to impossible to predict this early as details are always scarce until late in the year but if you have any premonitions do let us know! Here is our guesswork on the sound categories for the next Oscar race and the April Foolish Predictions thus far.