We asked Team Experience to share favourite screen kisses this week. Here's Dancin' Dan...
Love, Simon isn't the first film to be made about LGBTQ teens. There's Beautiful Thing, But I'm a Cheerleader, Camp, Edge of Seventeen (not the Hailee Steinfeld one), Get Real... the list goes on and on. It certainly won't be the last film to be made about LGBTQ teens, either. But it is the first one produced and distributed in wide release by a major Hollywood studio. Because of that, yes, there is an air of polished mediocrity and safety to the whole enterprise. And yet, it's hard to deny the film's effectiveness.
I don't know if, when I was a teenager, I would have had the courage to buy a ticket to see Love, Simon by myself. I do know, however, that if I had, it would have made my teenage years that much better...
I would have felt seen. And I would have seen that what I was feeling was not stupid, or wrong, or even uncommon. In fact, the very upper-middle-class-banality of Simon's life is, I think, key to the film working as well as it does, precisely because of how that milieu has come to define "normalcy" (for better and for worse) in the movies. But that's a discussion for another time...
There is, essentially, one reason that I will forever be willing to forgive Love, Simon all its flaws, and that is its climactic kiss. After Simon (Nick Robinson) has been outed by a pissed-off classmate, and for a short period of time finds his life coming crashing down around him, he finally builds up the courage within himself to publicly ask his anonymous pen pal, known only as Blue (Keiynan Lonsdale, who came out as queer in 2017), to meet him at the town carnival, on the ferris wheel. It's a big ask, one that would require the extremely private Blue to reveal his identity to the whole school, if not the whole city. And in true romantic comedy fashion, Blue doesn't show up until the last minute, when Simon is on his very last round on the ferris wheel. At first, Simon is confused, not thinking that this is really Blue. But Blue explains, and admits that he wasn't sure he had it in him to do this. He even asks Simon if his identity is a disappointment. But it's not, not at all, and Simon siezes the moment and kisses Blue at the top of the ferris wheel.
And then, everyone watching cheers.
It's hard to know how much that means unless you're queer. We get queer love stories so rarely in film, and interracial ones even less, and all of that even less so in wide release. All those films about gay teens I mentioned at the top of this piece? I had to search for films like them when I was a teenager. In fact, I don't think I heard about a single one of them until I found other queer people in college who told me about them or showed them to me. They weren't readily accessible. They weren't playing in tons of theaters in suburbs across the country. So for today's teenagers to have this warm, open-hearted film in wide release in theaters and home video - a film that not only shows two queer teens struggling with life, and not only finding each other and kissing in the open, but getting applauded for it? That is a beautiful thing. That is a thing to be celebrated.
Because, as the film says, we all deserve a great love story, and we all deserve someone to share it with.
❤️
Other kisses: Notorious & The Notebook