Most dramatizations of history have a difficult, often unbalanced, relationship with facts. Reality is notoriously devoid of narrative structure, which makes taking departures and creative license into an essential crime. The troubles arise when the parameters of adaptation aren't clear, when fiction dresses itself as truth, and confusion blooms from pretension. Hulu's biographical series about the early years of Catherine the Great in Russia is unencumbered by such issues, sidestepping them with irreverence. At the start of each episode, a title card points out that this miniseries is only occasionally based on things that really happened.
The rest of it is hilarious fantasy, a play on history that turns the rise of Russia's empress and reformer into the stuff of romantic comedy. It's a black-hearted farce that's unafraid and unashamed of being silly…
From the start, it's obvious that The Great is much more interested in the legend of Catherine than the real 18th-century woman or her specific circumstances. In this version of the story, Peter III is no heir to the Russian throne when he marries the German Catherine. Instead, he's already emperor and Empress Elizabeth is relegated to a kooky supporting role. This allows The Great's Catherine to be presented to us as a charming innocent in direct contrast with the lunatic revelry of her husband's court. The show goes to great lengths to make sure Catherine is a likable protagonist as she's trying to take control of the nation. Any whiff of complicated ambition and ruthless political manipulation is carefully eradicated. At least, that's what happens at first.
The Catherine that Elle Fanning plays is an idealist that's more naïve than she is cunning, a witless witness to the emperor's tyranny. History is much easier to make compelling when there are heroes and villains. Such simplification could backfire spectacularly, but the series succeeds, in great part thanks to its cast. That's especially true of its leads. Fanning makes this optimistic reading of Catherine into a luminous presence. She's a plucky heroine that may not impress as a wannabee ruler but charms as a comedy's leading lady. As for Nicholas Hoult, he's rancid as Peter, playing hedonism curdled into intolerable cruelty. The Favourite showed that the actor is always at his best when allowed to embrace grotesque affectation and, logically, The Great's Peter is one of his most marvelous creations.
Speaking of The Favourite, one of that film's screenwriters, Tony McNamara, is the creator of The Great. While the TV production has little of the audacity and genius of Yorgos Lanthimos' Oscar-winning feature, some of its mean-spirited archness comes through. Moreover, as The Great goes along, the moral binary at its heart starts to mutate into something more akin to the complicated power dynamic of The Favourite. It'd be good if the visuals followed the same impetus, but this transformation will have to do. Before we know it, we're like Sandy Dennis clapping for violence and the sugary comedy has been laced with arsenic. That addition of poison makes the flavors of The Great's tonal cocktail more intense and delicious, a necessary evil for the story's functionality.
Some things remain constant, though, like the universally acknowledged truth that men are trash. That said, the mood of the show does get more ominous in the latter episodes, allowing Fanning and Hoult to develop their characters accordingly. She finds the dark side of rebellion and he shockingly embodies the romance living inside a pig of a man. Nevertheless, it's the supporting characters that more starkly mold the shifting mood of the show. Phoebe Fox's Marial is a figure of particular fascination. A noblewoman castigated by Peter and made a serf, she's one of the empress' most devoted conspirators. Still, what Marial wants isn't progress for Russia, but revenge for herself and that desire complicates the show's initial idealizations of Catherine's rise.
Despite its girl-power metamorphosis of History, in the end, The Great confronts the bloody price that power demands. Instead of millions of lives lost in battle, the show concentrates things on matters of the heart. Like many narratives about female leaders, this story ends up making its protagonist chose between romantic affection and love for one's country. Even as the clichéd plot annoys, its execution doesn't disappoint. When the credits roll on the conclusion, we feel sad to let these characters go and yearn for more resolution. However, we're also content. Whether following seasons come or not, The Great's ten episodes still finish things off with a pleasant enough bit of cynical punctuation. Fuck romance, power wins. Catherine wins. Huzzah!
The Great isn't perfect but it's delightful and certainly worth your time. You can find it streaming on Hulu.