DGA Winners: Jane Campion, Maggie Gyllenhaal and more...
Sunday, March 13, 2022 at 9:32AM
NATHANIEL R in DGA

by Nathaniel R

As expected Jane Campion took Best Director at the Directors Guild Awards, their third female winner after Kathryn Bigelow (The Hurt Locker) and Chloe Zhao (Nomadland). The DGA win has long been the most predictive precursor prize for future Oscar glory. Their winner almost always repeats at the Oscar. Splits are rare but the most recent was very recent indeed during the Parasite vs 1917 war; Sam Mendes took the DGA but Bong Joon-ho won the Oscar.

Maggie Gyllenhaal took the coveted First Time Feature award making this the first year were both of those prizes went to women.  All the prizes and more comments after the jump...

OUTSTANDING DIRECTORIAL ACHIEVEMENT - FEATURE FILM 

Campion with her starsOne of the best things about the DGA awards is that each nominee gets a presentation (not just the winner). If only this show were televised!

This is Campion's second DGA nomination (she was also up for The Piano) and first win. She's already an Oscar winner having won Best Original Screenplay for The Piano (1993) but she'll likely have another Oscar (or three) by the end of March.

OUTSTANDING DIRECTORIAL ACHIEVEMENT - FIRST TIME FEATURE 

This is the seventh year of this category and Gyllenhaal becomes the second female winner (after Alma Ha'rel for Honey Boy, 2019). She cited Jane Campion's The Piano as a film that changed her life. 

OUTSTANDING DIRECTORIAL ACHIEVEMENT - DOCUMENTARY

While Summer of Soul is largely regarded as the Oscar frontrunner, perhaps the Directors viewed it as more of an editorial achievement given all the archival footage?

Outstanding Directorial Achievement in Dramatic Series

 

 

Pretty crazy to see all the nominations from a single show. Perhaps all television awards bodies need to look at their rules. This is Mylod's first DGA win (from two nominations for this show). Interestingly enough Succession was nominated here only once each for its first two seasons and then suddenly it has the whole category to itself. Succession took a year off from the Emmys (given the timing of its seasons) but should come roaring back with honors for Season 3 which is where these episodes are from.

Outstanding Directorial Achievement in Comedy Series

 

Lucia Aniello repeats his Emmy win. The others will be eligible for the next Emmy awards this fall (these Ted Lasso nominations are from Season 2 and the previous Emmys honored Season 1). It'll be interesting to see how The White Lotus fares -- it was a phenomenon when it aired but it will be a full year-old by the time the Emmy nominations roll around and you know how voters can get with recency bias. 

 

Outstanding Directorial Achievement in Movies for Television and Limited Series

 

At the Emmys Scott Frank won this prize for The Queen's Gambit, but since the Emmys are on a different timetable than the DGA, Frank won the DGA last year leaving this race without a possible repeat winner. At the upcoming Emmys only Hiro Murai (Station Eleven) and Danny Strong (Dopesick) will be eligible since the others already had their Emmy shot for these shows. 

 

Outstanding Directorial Achievement in Variety/Talk/News/Sports — Regularly Scheduled Programming

 

Don Roy King has won 11 Emmys for his work on Saturday Night Live and he's now won 8 DGA Awards for Saturday Night Live, six of them now consecutively in this particularly category, blocking all other "regular programming" shows from winning for over half a decade now. 

 

Outstanding Directorial Achievement in Variety/Talk/News/Sports — Specials

 

 

Outstanding Directorial Achievement in Reality Programs

 

Outstanding Directorial Achievement in Children’s Programs

 

 

Outstanding Directorial Achievement in Commercials

 

If you've been wondering where amazing successful cinematographer Bradford Young is (who seemed to vanish after his first Oscar nomination), he has only disappeared from the cinema since he's focusing on his young directorial career.  

 

 

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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