by Nathaniel R
After the BAFTAs the season is coalescing leaving little room for surprise when the delayed Oscar nominations arrive this coming Friday (January 23). The Producers Guild have also announced their nominations. While the PGA leans more 'mainstream' than Oscar, this looks very much like what we can expect on Oscar nom morning. Still history suggests one (or two) nominee(s) could fall to the wayside. But which...
THEATRICAL MOTION PICTURES
Locked in now for Best Picture nods? All but three of these...
The three question marks? September 5 and A Real Pain both have their fanbases but calling either of them locks feels like overselling it a bit. They will probably make it... but it wouldn't be shocking if they didn't. Finally, The Substance has been performing spectacularly well all precursor season. If it does score the Best Picture nomination most sane people would have thought impossible back in May, it will be a huge deal given the Academy's typical aversion to horror and gore* and female led films within the Best Picture category. Movies with horror elements -- it all depends on your definition of "horror" -- sometimes do land but it's rare. In the past 50 years, for example, I'd argue there are only six that match a loose definition of horror: Ghost (1990), The Silence of the Lambs (1991), The Sixth Sense (1999), Black Swan (2010), Get Out and The Shape of Water (2017). Black Swan might be the closest precedent to The Substance given its body horror elements and female bent, but I'd argue that you have to go back more than half a century to find a gonzo gross-out equivalent in The Exorcist (1973).
* They're A-okay with gore in war films but otherwise, nope!
Here are the results of the past five years comparing PGA nominations to Oscar's Best Picture list. In all years where they "replaced" PGA choices, Oscar improved the overall field.
All that said Best Picture is now locked in to 10 slots so only really the last three years apply so we've got one perfect match, one 7/10, and one 8/10. What will this year bring?
Bubbling Under?
When Oscar does make a switch from the PGA list it leans more international or arthouse. Our guess is that IF they make a change (and they might not) the disrupter will either be All The We Imagine as Light or Sing Sing.... if there are secret passions brewing for longer shots than the disruptor could be The Seed of the Sacred Fig, I'm Still Here, or Nickel Boys. No PGA nomination, though, means that Challengers and Gladiator II (both much more PGA-friendly than Oscar friendly) are surely dead in the water for Best Picture slots.
ANIMATED THEATRICAL MOTION PICTURE
PGA's taste in animated features is historically far less discerning than Oscars so don't count on Moana 2 being a slam dunk transfer. Oscar voters have never included three sequels in a single Best Animated Feature category (and they've had several opportunities) so if something's gotta go from this lineup it's definitely Moana 2. Our guess is that the Academy chooses either Memoir of a Snail or Kensuke's Kingdom instead. Chicken for Linda would be a fun French surprise but it's hard to imagine it happening.
EPISODIC TELEVISION DRAMA
The PGA is very into Apple TV!
EPISODIC TELEVISION COMEDY
Given that the PGA loves Apple TV will Shrinking place next year... or was it eligible this time around?
LIMITED OR ANTHOLOGY SERIES TELEVISION
It feels like Baby Reindeer is in its third year of awards shows, doesn't it? (not a knock on it. love Baby Reindeer)
TELEVISED OR STREAMED MOTION PICTURES
NON-FICTION TELEVISION
LIVE ENTERTAINMENT, VARIETY, SKETCH STANDUP & TALK TELEVISION
I enjoyed Ali Wong: Single Lady but one has to wonder why this stand-up special in particular has caught fire with awards voters (see the recent Globe win and now this nomination) given the pure volume of stand-up specials on view. Again no knock on Ali Wong (so glad she won prizes for Beef) but it's not like this show captured the zeitgeist or had critics in a race to hurl purple praise at it in the way that some award winning standup has in the past like, say, "Rothaniel" by Jerrod Carmichael or "Nanette" by Hannah Gadsby. The industry really does operate like a hive mind sometimes so expect to see Ali Wong: Single Lady nominated at the Emmys next year, too (it premiered well after the cut-off for the last Emmys)
This category provides a teensy speck of drama in the broad "awards season" sense of things (even if not within the PGA) since by its nature it can't be exactly the same nominees as the Emmys or Globes since there are different parameters on what's eligible given the definition of the categories. On the other hand the PGA doesn't mix it up with their winners. In this 18 year old category they've chosen only three shows as winners:
2015-2023 Last Week Tonight with John Oliver
2014 The Tonight Show Starring Jimmy Fallon
2007-2013 The Colbert Report
GAME & COMPETITION TELEVISION
Speaking of Hive Mind industry awards. The Traitors will win and here's why. Nothing is more dependably repetitive than competition categories with awards shows. Consider...
2024 tba but it will be the Traitors (PGA), The Traitors (Emmy)
2023 RuPaul's Drag Race (PGA, Emmy)
2022 Lizzo's Watch Out for the Big Grrrls (PGA, Emmy)
2021 RuPaul's Drag Race (PGA, Emmy)
2020 RuPaul's Drag Race (PGA, Emmy)
2019 RuPaul's Drag Race (PGA, Emmy)
2018 RuPaul's Drag Race (PGA, Emmy) - this was the first year the PGA had this category
2015-2017 The Voice (Emmy)
2014 The Amazing Race (Emmy)
2013 The Voice (Emmy)
2011-2012 The Amazing Race (Emmy)
2010 Top Chef (Emmy)
2003-2009 The Amazing Race (Emmy)
So in the entire 22 year history of this category at the Emmys only 6 shows have ever won and the PGA has never once disagreed with them!