The Best Day on the Set of "Saving Mr Banks"

Costume Designer Daniel Orlandi is guest-blogging all day!

by Daniel Orlandi

I had been preparing for the high-pressure two days of shooting at DisneyLand for several months. There were about 800 extras including 250 kids that had to be costumed and the research had been surprising. People used to actually dress up for a day in the park back in 1962. We had everyone in colorful 1960s California finery. When dressing extras I like to give everyone a character — so no souvenirs or T shirts!  We found a website where people posted their old personal photos of Disneyland. That was invaluable.

We also had to dress the park employees. Recreating Disney’s 1960s walk-around characters proved even more challenging...

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Adrian, God of Glamour

by Cláudio Alves

Born Adrian Adolph Greenberg, the designer best known as Adrian was one of the most influential costumers in Hollywood history. After working in his family business of millinery, Adrian went on to study costume design in New York and Paris and later found work dressing the starlets of Broadway. His talents soon took him to Hollywood, where he found a home from the mid-1920s to the 1940s, designing the costumes for many an MGM classic. Throughout his tenure in Tinsel Town, Adrian perfected the on and offscreen looks of such great divas as Greta Garbo, Norma Shearer, Myrna Loy, Jean Harlow, Vivien Leigh, Ingrid Bergman, Lana Turner, Judy Garland, Hedy Lamarr, and others. Among them, his most essential collaborator and muse was the one and only Joan Crawford…

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"The Daniel Orlandi Experience" is coming!

by Nathaniel R

Daniel Orlandi's favourite set pic... amongst the costumes of "The Da Vinci Code"

It's been awhile since The Film Experience has been hijacked for a full day by a super-talented Hollywood player. We figured it was time for another one. In the past we've handed the reins over to visiting embodiments of awesomeness like the rapidly rising writer/director Leslye Headland, and brilliant actor/writer David Dastmalchian, as well as a handful of actresses we deeply love: Missi Pyle, Ann Dowd, Melanie Lynskey, and Cara Seymour.

Our latest overlord for a full day: Costume Designer Daniel Orlandi !  

Daniel with Ewan McGregor on the set of "Down with Love"Orlandi's design gigs include but are not limited to: Cinderella Man (2005), The Da Vinci Code (2006), Saving Mr Banks (2013), Jurassic World (2015), Logan (2017), and three Best Picture nominees Frost/Nixon (2008), The Blind Side (2009), and  Ford V Ferrari (2019).

We don't know exactly what he'll be choosing to share with us -- we like a surprise -- but we did demand a behind-scenes peek at our personal favourite, the ever fabulous Down With Love (2003). We know you love it, too, so it'll definitely be featured.

It's all happening Monday, May 18th!

Milena Canonero's Oscar glory

by Cláudio Alves

Since we're celebrating 1981 this week, let's shine a spotlight on the Best Costume Design champion of that Oscar year. The filmmaker in question is one of the best currently working on her field. Milena Canonero's vast filmography includes repeated collaborations with many great auteurs like Francis Ford and Sofia Coppola, Wes Anderson, and Stanley Kubrick just to name a few. With nine nominations and four Academy Awards to her name, she's not only talented but also one of AMPAS' favorite craftswomen, having earned recognition for a variety of projects that range from strict historical recreation to lunatic explosions of avant-garde style.

Her work in Hugh Hudson's Best Picture-winning Chariots of Fire is on the more conventional end of this is one artist whose Oscar history aptly reflects her range, mastery, and good taste. In fact, not one of her nominations is undeserved and her victories are very nearly as unimpeachable. If you don't believe such conclusions, just take a look at Milena Canonero's Oscar-nominated feats of costume design…

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April Foolish Predix Pt 2: Visuals & Sound

Hello brave readers willing to fantasize about the 93rd annual Academy Awards while the bulk of the internet (but not us!) is convinced they won't exist! We've previously covered potential options for Best Animated Feature so now let's talk all the craft categories before we get to the 'big eight' (Screenplays, Director, Acting, and Picture). It's a wild wild world out there in terms of possibility. We only know:

a) which movies are "definitely*" still planning to open this year
b) the kinds of things Oscar tends to like in a normal year
c) a vague idea and plentiful hunches about which movies are closest to being finished in post-production and will risk opening. 

So please take all of these predictions in the way they are intended: a bit of fantasy escapism based on past punditry experience mixed with vague ideas about what might happen in the future of this tumultuous year. 

VISUAL CATEGORIES
Our favourite film categories to think about apart from Actressing & International Film. Come look at what we think might happen in Costume Design, Cinematography, and more. 

SOUND CATEGORIES
These are much less fact-based. Composers are often the last part of a creative team hired so a lot of upcoming pictures dont have composers announced yet. Especially since Hollywood isn't at work at the moment. So this is wild guesswork. We also dont know which movies will have original songs. So we are blindfolded while looking at these crystal balls. It's quite odd, punditry, in this pandemic world.