1991: Judy Davis in "Barton Fink" and "Naked Lunch"

Before each Smackdown, Nick Taylor looks at possibilities for an alternate ballot...

Barton Fink and Naked Lunch are two 1991 films with more in common than you'd expect. Both follow writers - one a lifelong devotee of the trade, one quite new to it - who are suddenly plucked from their old lives and dropped into entirely alien worlds, with few reliable sources to guide them. Both tackle the incredibly mundane ache of loneliness and toil of their work, albeit against obstacles like axe murderers and global drug conspiracies. Both are directed by major auteurs and styled to the fucking nines, making their settings as accessible as they need to be while fulfilling some impenetrably strange narrative conceits. And both serve as vivid showcases for the talents of Judy Davis, 1991’s NYFCC winner for Best Supporting Actress, who unfussily acquits herself to two very different, aesthetically demanding milieus. Her brainy, abrasive persona and preternatural expressiveness are cannily utilized in both films, and Davis emerges as an essential element of their respective successes despite her minimal screen time...

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Peyton Place.... Never Forget!

by Nathaniel R

Three afterthoughts about the 1957 Smackdown.

1. The reader ballots were quite interestingly divided though they were sparser than usual  - are we doing too many Smackdowns or is it just that the films were harder to find this time?  I was shocked to see that TFE readers who had seen The Bachelor Party weren't particularly fond of Carolyn Jones who, in my estimation, was the best of the nominees. Overall it was the lowest rated field of nominees I've ever seen for reader polling.

2. My own ballot for '57 would go like so...

• Marlene Dietrich, Witness for the Prosecution
• Carolyn Jones, The Bachelor Party
• Elsa Lanchester, Witness for the Prosecution
• Kay Thompson, Funny Face
• Isuzu Yamada, Throne of Blood

Though I reserve the right to ditch Lanchester and/or Thompson should I see something better. The speed of this summer's Smackdown schedule has made catching up or revisiting 'extra' films impossible. I definitely need to see Ruby Dee in Edge of the City as Nick suggested we all do. If you missed the 1957 podcast, it's right here at the bottom of this post for you listening pleasure or you can head to iTunes.

3. What was your 1957 takeaway? Mine was that I could probably watch Peyton Place again right this minute. It's not, maybe "good", but it's sooo watchable. And that ad campaign is a particular kitsch pleasure that I can't stop staring at.

Smackdown '57

Smackdown '57: Sayonara, Peyton Place, and Witness for the Prosecution

In the Supporting Actress Smackdown series we take a particular Oscar vintage and explore it with a panel of artists and journalists. This time we're talking 1957

THE ACTRESSES & CHARACTERS
In 1957 Oscar voters were in the mood for fresh faces. Four rising stars (Hope Lange, Carolyn Jones, Miyoshi Umeki, and Diane Varsi) were honored along with one Old Hollywood mainstay, the Bride of Frankenstein herself (Elsa Lanchester). The shortlisted characters were a counter culture partygoer, an exasperated nurse, a Japanese newlywed, and two 18 year-old besties in a small town with both love and grief on their minds.

THE PANELISTS
Here to talk about these performances and movies are filmmaker Q Allan Brocka, theater and film critic Kenji Fujishima, Be Kind Reward's Izzy, film critic Kimberly Pierce, writer/ director/ archivist Brett Wood and your host Nathaniel R. Let's begin...

1957
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

 

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20 Underrated Actresses as Emmy Contenders

By Abe Fried-Tanzer

There are over 1,200 actresses on the Emmy ballots across all of the various categories. More contenders mean more deserving potential nominees, and I want to spotlight some of the best female performances I saw this past season. We’ll assume that, though a nomination isn’t by any means guaranteed for any of them, moderately high-profile names like Shira Haas (Unorthodox), Rhea Seehorn (Better Call Saul), and Gugu Mbatha-Raw (The Morning Show) don’t need the boost even though they should certainly have their work honored. Here are 20 performances you may not have noticed (and where to watch them) that are absolutely worthy of thinking about while filling out those Emmy ballots...

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1957: Cathleen Nesbitt in "An Affair to Remember"

Before each Smackdown, we look at alternate possibilities to the actual Oscar ballot...

by Nick Taylor

Camila Henriques wrote a great article last week on Deborah Kerr’s performance in An Affair to Remember, a film whose cultural resonance feels like a tribute to the star power of its lead couple. A remake of the romantic drama Love Affair (1939) from its original director Leo McCarey, the film follows wealthy socialites Terry McKay (Deborah Kerr) and Nick Ferrante (Cary Grant), who fall in love over the course of an eight-day transatlantic cruise to New York despite being engaged to other people. The relaxed pacing, resplendent colors, high production values, picturesque photography, and appealing slow-burn chemistry between Kerr and Grant reads like an open invitation from McCarey to luxuriate in the sheer handsomeness of what he’s put together. The economy of Love Affair is missed, though for my money the film’s besottedness with itself keeps An Affair to Remember from fully matching the emotional complexity of its predecessor. Especially in the early going, McCarey seems content to let his leads luxuriate in their own charisma without asking them to do all that much. But nonetheless the film is able to evince real moments of depth that linger long after the credits have rolled. And wouldn’t you know that the first such moment arrives when Terry and Nick make a surprise visit to his Grandmother Janou, played in this iteration by Cathleen Nesbitt. 

In both films, Terry and Nick’s time with Janou is the catalyzing event that leads them to acknowledge their love for each other...

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