The Apology Nomination

by Cláudio Alves

Sometimes, even the Academy thinks they messed up. That's how you get what I like to call "apology nominations," crucially different from "career nominations" because they come in response to one or more specific slights in the recent past. They are the honors that resound with an echoing sorry if you ring them just right, and there's no better example than Paul Giamatti's 2005 Best Supporting Actor nomination for Cinderella Man. After his shocking Sideways snub, one feels he would have been included for anything remotely Oscar-friendly.

It doesn't mean this reliable character actor didn't deserve it, of course, but there's a narrative quirk to how he got there, a faint sense that AMPAS was making up for a mistake. Now that Giamatti's back in the race with The Holdovers, it got me thinking about other cases of the phenomenon in the years since Cinderella Man…

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Is it finally Blunt's time?

by Cláudio Alves

With Pain Hustlers new on Netflix, Emily Blunt continues to stake her claim in 2023. Indeed, we're heading into an awards season that could end with the British actress becoming, at long last, an Academy Award-nominated thespian. For over a decade, she has persisted as a contender who never makes it to the finish line, stranded with precursor support but no love from AMPAS itself. Hell, when the Almost There series eventually comes back, one could dedicate an entire month, if not more, to Blunt's many failed bids – from The Young Victoria to her SAG-winning turn in A Quiet Place. Keep in mind that The Devil Wears Prada, arguably her most egregious snub, was already covered a while ago.

In any case, hopes are high for Blunt fans, even if few would argue her performance in Oppenheimer represents the height of her talents. Not that it's any sort of meritless hack job…

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Category Confusion: LEAD or SUPPORTING?

by Cláudio Alves

The Gotham nominations caused quite a stir among the Film Experience readership. Going through the comments section, the matter at hand is category fraud: who is and isn't guilty of perpetrating it going into the awards season? For instance, I would have categorized Ryan Gosling as a secondary lead in Barbie, but I've been convinced by the comments that he fits better in supporting. Other cases discussed included Binoche's Gotham-nominated work in Taste of Things, Whishaw in Passages, Hüller in Zone of Interest, and beyond. 

So, why not relocate that discussion here while having fun with polls? You get to vote, deciding on each performer's rightful placement…

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Best Supporting Actress ~ First Round Predictions

by Nathaniel R

Emily Blunt in "Oppenheimer"

So is it finally Emily Blunt's time? She's been thisclose to an Oscar nomination multiple times with other awards bodies like SAG, the Golden Globes, and BAFTA making room for her repeatedly! Somehow an Oscar nomination has never materialized even when she 1000% deserved it (hello comedic genius from The Devil Wears Prada). With the largest female role in the The Year's Biggest Prestige Drama, Oppenheimer, she may finally make the shortlist. But what if previously nominated Florence Pugh joins her in the event that a lot of movies intended for the fall don't arrive as scheduled? Despite the movies lengthy running time they both don't get as many scenes as we would have liked but that might not matter given the film and the response.

Other questions looming over the Best Supporting Actress Oscar race are after the jump.

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Emmy Analysis: Comedy Supporting Categories

By Abe Friedtanzer

Ebon Moss-Bachrach and Ayo Edebiri in FX's The Bear

With only fourteen nominees, the comedy supporting categories still have nearly double the shows represented by the drama supporting categories’ sixteen recognized individuals. Both supporting actor and supporting actress contain two sets of double nominees, but it’s hardly the overwhelming domination that exists on the drama side. There are also five past winners and a handful of fresh faces that make these two races well worth watching...

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