Birdman Conference & Party: Egos, Creative Challenges and "A Critical Presence"

Choosing Birdman as the closing night film of the 52nd New York Film Festival was a smart move. Premiering in the slot right after it would have been a truly humbling experience for another film. Not that I wish to inflate Alejandro Gonzalez Innaritu's ego any further.

Iñárritu, Norton, Watts and Amy Ryan at the premiere

In the press conference that immediately followed our screening yesterday he admitted that it's already enormous. "Inquisitor. Tyrant. Dictator" are just three of his names for his own ego and the idea for Birdman was to explore the inner struggle with ego and the creative process. Innaritu says he starts most creative projects thinking  "This is great, fantastic, very genius!" and shortly thereafter has a bipolar switcheroo "You're a stupid asshole. This is a piece of shit, no one would care about it!" He thought this creative struggle would  be a cool thing to dramatize on film though he didn't mean it to be specifically about the ego of actors. He actually thinks they don't have big egos. "Politicans have bigger egos...even my dentist!" he added spontaneously to much laughter in the room. "He's an asshole. He makes me suffer and I pay him."  

Michael Keaton's internal creative struggle takes a slightly different turn "I go through, 'Oh you're the greatest, you're wonderful. And then 20 minutes later... no, you're actually more than that Michael!"

Throughout the conference the actors found ways to keep the mood light and funny. Somehow Naomi Watts became the favorite member of the cast to tease, which was interesting because the actress she plays onscreen is riddled with insecurity. [More...]

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Birdman Starts Campaigning Early

Anne Marie reporting from Los Angeles...

Will Keaton need the tux regularly this season? We think soThe starter's gun for awards season campaigning has unofficially gone off, signalling the beginning of the most exciting/frustrating few months in an Oscar-lover's heart. Sandwiched between the mad dash of TIFF and NYFF on the East Coast was a screening and reception on Tuesday for Alejandro Gonzalez Iñarritu's Birdman. As a courtyard full of film critics tried to absorb everything the ambitious black comedy presented them, producer John Lesher and star Michael Keaton were there to answer questions and talk over Iñarritu's dizzying vision.

In the coming weeks, we'll undoubtedly hear many comparisons between Michael Keaton and Riggan, the washed up superhero has-been Keaton portrays. Michael Keaton is not nearly as attention-grabbing (or off ghis rocker) as his onscreen doppelganger. Instead, he walked through the crowd quietly, speaking to members of the press one on one or in small groups (graciously fielding questions on baseball and Batman), rather than holding court.

Unfortunately, this meant we didn't all get to speak to him, but he did deliver one appropriately weird closing moment. On his way to the parking lot, Keaton gave a loud Birdman squawk. Then he vanished into the night.

The Birdman cast having fun in Venice earlier this month

Linkman & Emmywoman

First Things First: at Movie City News the "Gurus of Gold" have begun (yes, I'm a part of it again) and as David Poland points out there are seven films that made almost every list: Birdman, Gone Girl, Boyhood, and Unbroken tied at 1st place with Foxcatcher, Selma, and Interstellar just behind them. Most pundits are feeling these as Best Picture threats. Look at the whole chart though to see how everything fared. The highest ranking films that were not on my list (we were asked to submit 15 films) are Wild and Inherent Vice. 

Birdman Flies
Early rave reviews at the Venice Film Festival from The Telegraph, Variety and THR and a couple positive but not ecstatic reviews from The Guardian and The Film Stage are up and surely bode well for the film.  I'm holding off on reading them as I want the movie fresh when I see it. But others may want to dive right in.

Anger Making
Yahoo talks to Tyler Perry. The Madea franchise star/director claims he didn't know who David Fincher was when he signed on to Gone Girl and he wouldn't have done it if he knew how "mainstream" he was. What the F'in hell? Yes, Tyler Perry a bastion of "edgy" cinema. He's also been a voting member of the Director's branch of the Academy since 2009 which means he's been asked to judge and vote on Fincher's work twice. Way to be a conscientous voter!

Other Linkage
The Playlist 10 overlooked greats from the 1970s. I gladly support the inclusion of Girlfriends (1978) but I haven't seen the others
HitFix Deborah Ann Woll talks about moving on to Daredevil and the difficulty of leaving True Blood's Jessica behind
Pajiba Ridley Scott is 76 years-old but his plate is super full. How many more films is he planning to make exactly? 
Cinematically Insane will layoffs and monetization at Turner Broadcasting affect TCM? 
My New Plaid Pants Superman takes the ice bucket challenge 
The Dissolve Mike D'Angelo looks back at "Best Actress" of 1989 -- we all know that shoulda been Michelle Pfeiffer but others are discussed, too. 
VF Neil Marshall (The Descent) wants to direct a Black Widow movie. Also talks Game of Thrones

Emmy Hangover
The Nib Liza Donnelly's caricatures from the evening 
Pajiba's liveblog with Courtney Enlow icymi
We Recycle Movie's "lateblog" with Anne Marie and Margaret 
Towleroad icymi it on Emmy night, Billy on the Street's Emmy dash was the most hilarious of few hilarious things that night 
Showtracker wonders if Game of Thrones can rise in Emmy estimation with Breaking Bad moving out of the way 
Salon what the Emmys revealed about the broadcast vs cable war on television 

ICYMI
Vulture Mark Harris has a long read on "The Making of Foxcatcher" - so much Mark Harris to read. (I'm reading "Five Came Back" very slowly because I am learning so much about late 30s/early 40s Hollywood on every page.)
Funny Or Die Mark Duplass and Ted Danson go to couples therapy over Prince's Purple Rain suit

Fun Interview
Assignment X talks to one of our favorite British thespians, Olivia Williams about her new series, films (very briefly), makes fun of her own accent work and this, my favorite part, on her stellar role in Joss Whedon's Dollhouse:

Joss legendarily starts to adapt your character as the series goes on to how you really are, and I started off as sort of a calculating bitch and ended up being rather motherly and a bit of an alcoholic, and I can’t think where he got that from.

Ha!

Lukewarm Off Presses: Colin, Emma, Birdman and Thor

You might have thought you were done discussing these but I'm just getting around to posting about them, so don't shut your trap just yet. Here's five stories that we didn't get to in anything like a timely fashion but so what? Time is a flat circle. 

Story 1 COLIN IN TALKS
I was going to wait to post about this until it was official and not just "in talks" but since the internet moves with the speed of everything casually mentioned as fact that everyone is aware of and will be old tomorrow, it should be noted that it looks like Colin Farrell will be the leading man of True Detective Season 2 (possibly Taylor Kitsch beside him). Woody Harrelson and Matthew McConaughey will be tough shoes to fill but as I relayed on twitter, he's a smart idea because people will be surprised when he's great because they haven't noticed that he often is. It's very Matthew McConaughey if you think about it. An actor who was always talented and then only through a unique set of career moves did people admit it and suddenly acted like he was a brand new actor. And then they overpraised but that's another topic. 

Colin has been utterly amazing a couple of times (Tigerland and In Bruges) but even in his less heralded successful or more divisive pieces where the performance arguably feels more strained (A Home at the End of the World, Alexander, Saving Mr Banks) he often feels like he's reaching for greatness. He doesn't phone it in... which is more than can be said for many actors who get paychecks that big.

Story 2 FESTIVALITIS
The Fall Film Festivals are approaching which means before too long I will be having weekly nervous breakdowns trying to keep up with all the news and discuss all the Oscar buzz. I'm waiting on my TIFF credentials now but it's exciting to hear that Venice will open with Birdman or the Unexpected Virtue of Ignorance starring Michael Keaton and Emma Stone. (I had never quite processed that it had a longer title than just "Birdman" though we've already discussed the brilliant trailer) Websites are already speculating on which films will show up at which festivals but I prefer not to try and guess. Half the excitement of festivals is all the "another present? for me!? ABUNDANCE!" elation that comes with discovering the goods. And since I can't afford to go to them all I don't want to worry about the films I'm missing at the other ones.

Story 3 A FEMALE THOR
It's probably worth mentioning that Marvel has announced that we'll have a female Thor for awhile (in the comics. Don't worry for Chris Hemsworth's career just yet) and she'll be wielding Mjölnir. Superheroes are replaced more often than the layman thinks within comics (and actors are replaced in movies too -Bruce Banner holla!) but it almost always reverts back to the original guy.

Besides messing up all of our favorite Thor/Dr Horrible jokes...

...this news bugs me for two reasons.

1. A female hero (Yay!) but she'll just be a glorified substitute (Boo!) for the real thing (a man, natch). What kind of message is that sending?
2. This is in the comics where there have been several female superheroes given their own books over time. What we need is a female superhero at the movies. That would still be revolutionary which is a pretty pathetic thing to type in 2014. Female characters have been carrying stories in virtually ever medium for as long as any of those mediums existed. And yet the studios are still assuming that female superheroes can't carry movies... don't they realize that two of our top ten grossers this year thus far are essentially female superhero movies (Divergent & Maleficent) but not by name and in entirely different genres.

soon every movie will be a bit expensive one episode season of a tv seriesStory 4 FRANCHISES WILL BE THE DEATH OF US ALL
There's some speculation happening in the superhero-crazed internet (when isn't there?) that Sony is rethinking that whole Amazing Spider-Man reboot thing now that the movies are underperforming and just as they were announcing a whole set of spinoff movies around them. Release Emma* & Andrew into the wild again, I BEG YOU!

"Underperforming" is a sad word when these movies should have bombed spectacularly. Shouldn't you at least have to wait for another generation to arrive before you yell "do over!"? All the movie studios want to essentially make movies into multiple TV series that release one big expensive 2 hour long episode each season so there are 22 superhero films on the way in the next 4 years and Universal is now going to try an interconnected Classic Monsters Universe. Um, none of those monsters except for the Invisible Man ever went away? Talk about long running franchises. I guess, in keeping with tradition, we should start complaining now that the Bride of Frankenstein is never going to get her own solo movie so it's another universe that will utterly fail the Bechdel Test.

Tell me something that will give me hope for the future in the comments!

* Story 5: EMMA & WOODY
Since Emma Stone was already name-checked twice in this post ... let's note that she is also filming her second Woody Allen movie in a row (Untitled 2015) before Magic in the Moonlight has even landed so expect media stories about Emma as Woody's new muse in  3...2...1...

Do you think she'll pull a Scarlett and make a third? Her romantic interest isn't Colin Firth this time.

Progress! The leads are only 14 years apart this time RT @ThePlaylist: Emma & Joaquin on the set of Woody Allen... pic.twitter.com/MHiTvBF7t0

— Nathaniel Rogers (@nathanielr) July 12, 2014

Yes No Maybe So: Birdman

How did we end up here? In this dump. You were a movie star, remember?

Surely one of the year's most intriguing features in concept and casting alone, is Alejandro Gonzáles Iñárritu's Birdman. The director collaborating with the great cinematographer Emmanuel Lubezki (fresh off his Oscar win for Gravity) trains the movie camera on the best Batman (I'm with Seth Rogen's in Neighbors on this one) as he plays a has-been movie star famous for playing a character named "Birdman". Now he's on stage years later trying to rejuvenate his career.

Concept and casting alone were enough for a "maybe so" tilting yes. And then came advance word from test screenings that the film really delivers across the board in performance so "yes". And then came the teaser which begins with a 41 second continuous shot like its asking me to marry it. So now I'm at 'Yaaaaas! I will. I will. I do!"

Making the traditional Yes No Maybe So a more lopsided formality than is healthy after the jump...

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