Feud: Bette and Joan "And the Winner Is" (Part 1)

Previously on Feud: Bette and Joan
1 "Pilot" 2 "The Other Woman"  3 "Mommie Dearest"  4 "More or Less" 

-Do you have any comment on your co-star Joan Crawford being snubbed?

-Define "snub"! 

by Nathaniel R

If you had told me at any point before Feud: Bette and Joan was announced to the world that there would one day be a TV show that spent a full hour recreating the drama of a single Oscar night, I would never have believed you. If that imaginative hurtle was cleared I would then preemptively call it the single greatest TV hour in the history of television. But here we are with Feud and the reality is, if not the fantasy, still the best hour of Feud as a series. The concept of the series has so far outpaced the reality of it that it's lapped by several times already. Which is to say that if you've been reading along you know that I don't love the show. So I'll turn over the finale 3 episodes to team members who are maybe enjoying it a bit more (with one last Feud-related post from me after the season has wrapped). Still, I can't not review this Oscar-themed episode.  "And the Winner Is..." was entirely riveting even though all Oscar buffs had spoiler alerts in their DNA!

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Stage Door: Amélie, The Musical

By Dancin' Dan

Say what you will about the seemingly unending run of new Broadway musicals based on non-musical films, enough of them have been good enough that you write them off at your own risk. Kinky Boots and Waitress are just two recent examples of stage musicals that, if anything, improve on their source material. The just-opened Amélie, an adaptation of the 2001 Jean-Pierre Jeunet film, attempts to recreate the success of those two adaptations: An established, inventive director in Pam MacKinnon, music and lyrics by singer-songwriter Daniel Messé (of music group Hem) with some help from musical vet Nathan Tysen, and a book by the respected playwright Craig Lucas (Prelude to a Kiss). And of course, a Broadway star on the rise in the lead role: the angel-voiced Philippa Soo, who stole hearts in Hamilton and the Off-Broadway incarnation of Natasha, Pierre & the Great Comet of 1812.

Unfortunately, this new musical fails to reach the dizzying heights of Jeunet's purely cinematic film. But the way in which it fails that lofty goal is interesting...

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Battle of the Links

Today's Must Read
Vulture has an amazing profile on Jenny Slate which also gives personal insight into her career and life and, more surprisingly, her former relationship with Chris Evans. He comes off sounding so dreamy which is not what you expect in a breakup discussion!

Miscellania
Variety the tennis film Battle of the Sexes gets a Sept 22nd release date. Will Emma Stone be back in the Oscar race or will there be no need for a victory lap?
Coming Soon there's a project being pitched in Hollywood that unites classic fairy tale heroines in one story (like a superhero team but fairy tale princesses) 
Collider interviews the undervalued Michael Peña about CHIPs and he reveals that he still doesn't know if he's in the Ant-Man sequel (which seemed foolish of Marvel since he totally stole that movie)

lots more after the jump...

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Stage Door: Sally Field in The Glass Menagerie

by Dancin' Dan

This is not your parents' Glass Menagerie.

It's not uncommon for theatrical "reinventions" to take place nowadays. Ivo van Howe has made it into a cottage industry of sorts, creating an intimate, visceral A View From the Bridge and a raw, elemental The Crucible in recent years. Sam Gold is of the same cloth. He made his name with an audacious revival of Look Back in Anger at the Roudabout in 2012, won the Tony in 2015 for his sensitive in-the-round staging of the musical Fun Home, and most recently directed a searing Othello with David Oyelowo and Daniel Craig off Broadway at the New York Theater Workshop.

But all those pieces benefit from a stripped back, in-some-cases radical rethinking. Tennessee Williams's memory play is a much more delicate thing, announcing as narrator Tom Wingfield does right at the start that this is a subjective work of art, a piece of memory that may or may not represent what actually happened. Productions of it generally take after the play's quietest character, the "crippled" Laura - they are generally fragile, gossamer things, as light and airy as a thought or memory hanging in the air in front of us...

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Well, Hello Linky

Playbill Cate Blanchett and Richard Roxburgh got their Sardi's caricatures this week
BFI Pedro Almodóvar recommends 13 Spanish films, some classics and some recent, including Jamon Jamon, Blancanieves (♥︎), and Peppermint Frappé
McCarter want to see Murder on the Orient Express on stage before the big screen remake later this year? A new production just opened in Princeton with a pretty great cast that includes Veanne Cox, Julie Halston and gorgeous Max Von Essen who should've won the Tony two years back for An American in Paris

Jezebel "Carol Without Women" boring crap or still beautiful abstraction? Must watch!
MNPP Sam Claflin will costar in the next film from brilliant Babadook director Jennifer Kent
Interview talks to the new Iron Fist Finn Jones
Ashlee Marie shows you how to make a standing Lego Batman cake
Shudder a new streaming service for horror fans is streaming Ken Russell's notorious and brilliant and often banned The Devils (1971). It's so hard to get in the US so see it while you have a chance!
Coming Soon Jennifer Aniston will costar in Anne Fletcher's YA adaptation Dumplin' about child beauty pageants
Tom & Lorenzo judge the "stylists & stars" Hollywood Reporter covers. Fun 
Queerty did you hear that RuPaul got married? He and his boyfriend of 23 years tied the knot in January
Variety Kleber Mendonça Filho, who gave us the great Aquarius last year, will preside over the Critics Week jury at Cannes this summer 
Coming Soon Married actors John Krasinski and Emily Blunt will co star for the first time in the horror thriller A Quiet Place. Krasinski will also direct

Exit Tweet
Bette Midler reminding us that she's back but we're too poor to see her do Dolly Levi on Broadway. Thanks, Bette!

Here I am for the first time as Dolly! Performances begin tomorrow #HelloDolly! pic.twitter.com/ipr1rTjWhI

— Bette Midler (@BetteMidler) March 14, 2017