Drag Race RuCap: "Reunited"

CLÁUDIO ALVES: RuPaul’s Drag Race season 15 is almost over, with the finale airing next Friday. This week, however, was time to honor the traditional reunion in the form of an extra-large 80-minute episode. If you’ve been following the queens on social media, you know these bitches have plenty to say, from tales of thievery to bullying accusations and everything in between. Not that this was an especially inflammatory reunion - too many dolls are level-headed individuals for that to happen. Sanity prevailed, drama abated, and it was still an entertaining chapter. If nothing else, it gives us an excellent opportunity to reminisce about the season and our coverage. What say you, dear Nick? 

NICK TAYLOR: It was a good time! The reunion had a fun balance of pure shenanigans, rehashing tensions from the show, and even some serious political ruminations on what it means to be a drag queen in the wake of so many drag bans across the United States…

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Drag Race RuCap: “Blame It On the Edit”

CLÁUDIO ALVES: I knew they were bluffing! Apologies for starting this RuCap at the end of the episode, but there was no other way this episode could end but with the whole top four moving to the finale. All that talk of a final elimination was always a baldfaced lie, a mere attempt at adding stakes to an episode with none. Whatever faint redundancy this chapter might exemplify, it’s inconsequential in the face of these bitches’ collective serve. But maybe I’m exaggerating, too drunk in affection to think straight. 

NICK TAYLOR: As the one of us who dared to believe that RuPaul would actually send a queen home this episode, I’m really happy I was wrong...

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Drag Race RuCap: "Teacher Makeovers"

NICK TAYLOR: I know both of us are less jazzed about the makeover staple, so let’s just get that out of the way now. This episode didn’t alleviate any of my usual feelings about how this challenge is judged or executed. I’m glad the teachers were so uniformly game, unlike some of the surlier participants from older seasons, and the basic cloning/color swapping made the peaks among this group somewhat limited. Imagine the ramifications of Crystal Elizabeth Methyd rightly winning this challenge in season 12 and encouraging future queens to really go apeshit on what “family resemblance” means. The race is tight enough at this point that winners and losers truly come down to hair-splitting, yet this week’s choices release that tension into something inevitable without being totally satisfying. How did this week’s episode sit with you?

CLÁUDIO ALVES: For a bitter curmudgeon like me, who thinks the makeover challenge is the worst Drag Race staple, this was an enjoyable hour. It could have been much worse…

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Drag Race RuCap: “Wigloose: The Rusical!”

CLÁUDIO ALVES: Praise be the 90-minute episode, the Rusical team, the queens of season 15, and the politically prescient writers who saw the current anti-drag policies coming a year in advance. Praise be to everyone! “Wigloose” is the episode of the year so far, which is saying something when you consider the utter mediocrity of its LSFYL. Then again, nobody should’ve had to fight for their lives this week. Even more than in the original “Daytona Winds,” the queens delivered excellence across the board. Sure, some did better than others, and the runway could break ties, but the talent is so evident it’s hard to keep euphoria at bay. And yet, after last year’s non-elimination-palooza, I can see why the producers and Ru herself might want to keep things tight. I’m sad, but I get it. 

NICK TAYLOR: Praise be to the singers who actually interpreted all of those songs, too. I think the sheer brilliance of last week’s tooth-and-nail LSFYL and the performances in this week’s Rusical should (and, in a prior season, absolutely would) have prevented anyone from going home. Lord knows Marcia probably would’ve won this episode. Heaven Bacon was tailor-made for her...

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SXSW: Probing Identity in "Bloody Hell"

by Abe Friedtanzer

From the sound of its title, you might think that Bloody Hell is a violent horror film. But in fact it’s a mostly (and significantly) blood-free exploration of what it’s like to be a teenager that doesn’t quite fit in. It’s described as a “traumedy” about a sixteen-year-old girl shaken by the news of a reproductive condition that will play heavily into both her sex life and her potential to become a future mother... 

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