The Furniture: Revisiting the Surreal Spaces of Toys

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Today marks the 25th anniversary of Barry Levinson’s Toys, a film you don’t hear about very much anymore. It wasn’t exactly beloved at the time, certainly, and wound up with a Razzie nomination for Worst Director. However, it also showed up at the Oscars, receiving nominations for Best Costume Design and Best Production Design. At the very least, it remains a pleasant reminder that sometimes even flops are given a fair shake by the Academy’s craft branches.

And now, in the dramatically different context of 2017, it deserves some renewed attention. Its critique of militarism and toxic masculinity has aged surprisingly well, as have the more committed of the performances. Joan Cusack’s absurd turn as the eternally childlike Alsatia is at the top of the list.

But the best elements are still those that were recognized at the time.The work of production designer Ferdinando Scarfiotti, art director Edward Richardson and set decorator Linna DeScenna is beyond...

Click to read more ...

Tweetstruck

We have to start with this exchange since Chris' love of mother! is well known. 

Where the hell am I going to fit 100 sinks, Matt?

— Chris Feil (@chrisvfeil) December 5, 2017

After the jump our tweet roundup of amusements, provocations, and random movie-loving featuring Moonstruck, I Tonya, P.T. Anderson, Big Little Lies, Meryl Streep's forehead, and more...

Click to read more ...

92 Days til Oscar. Some Living Trivia For Ya!

Did you know the earliest Oscar year which boasts 20 acting nominees who are still with us is 1992? It's the 25th anniversary of that year and that's the furthest back in time you can go from which all the acting nominees are still walking this earth. With the very noticeable exception of long retired Gene Hackman (no one has been able to convince him to come back to the movies -- and directors have tried!) most of them are still working, too. The lesson is simple: cherish your favorite actors while they're with us because no one lasts forever... except through their art!

The nominees that year were:

Leading ACTRESS	Leading ACTOR	Supporting ACTRESS	Supporting ACTOR
Deneuve Indochine	Downey Jr Chaplin	Davis Husbands & Wives	Davidson Crying Game
McDonnell Passion Fish	Eastwood Unforgiven	Plowright Enchanted April	Hackman Unforgiven ★
Pfeiffer Love Field	Rea Crying Game	Redgrave Howards End	Nicholson A Few Good Men
Sarandon Lorenzo's Oil	Pacino Scent of a... ★	Richardson Damage	Pacino Glengarry...
Thompson Howards End ★	Washington Malcolm X	Tomei My Cousin Vinny ★	Paymer Mr Saturday Night

If you'd like a breakdown of the earliest years for the individual categories, it won't surprise you to hear two things. First, that we're offering that list since we're trivia overachievers here at TFE . Second, those categories line up exactly like average age statistics for those races i.e. lead Actress skews youngest, then Supporting Actress, then Actor, and in last place is Supporting Actor because that's the category that's most frequently enamored of veterans. Those details are after the jump...

Click to read more ...

The Furniture: 25 Years Trapped in Castle Dracula

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail. 

Bram Stoker’s Dracula turns 25 years old today. It is, appropriately, not dead. Not that a film can die, exactly, but this one has held onto its toothy vigor with particular success. Even the ridiculous way Keanu pronounces “Bewdapest” still charms. Eiko Ishioka’s Oscar-winning costumes seem simultaneously ancient and way ahead of their time. The same goes for the Oscar-winning makeup, which transforms Gary Oldman across centuries with bewildering commitment. The visual effects, which went unnominated, remain thrilling, a dizzying phantasmagoria of cinematic shadow-puppetry.

But I’m here to rave about the only nominated category that the film didn’t win. Production designer Thomas E. Sanders and art director Garrett Lewis were nominated, but they lost to Howards End. Hard to argue with that, of course. Yet their work on Bram Stoker’s Dracula is just as worthy in its complexity, engaging with the material deep within the extravagance and color. Sanders and Lewis demonstrate a creativity well beyond the Gothic castles and thick cobwebs of the genre’s lesser films, shining a newly bloodstained light on this most famous of vampire stories.

The home of the monstrous count itself is a perfect example. Dracula lives in a decaying tower, but a fraction of his former seat of power. It hovers over a cliff in a remote corner of Transylvania, all but removed from the eyes of the living. It cascades upwards, every story more mangled than the last...

Click to read more ...

Martin Landau (1928-2017)

Landau at an event honoring Tim Burton last yearWith well over 100 credits to his name no one can say that Martin Landau didn't have a fine and enduring career. But for such a fantastic talent, perhaps he remained undersung. After a brief stint as a cartoonist, he found his calling with acting and nabbed his first TV guest spots in the mid '50s. By the end of the decade he appeared in his first classic (Alfred Hitchcock's North by Northwest) but it wouldn't be his last. For the remainder of his long long career he toggled between TV (most notably three seasons in the mix of Mission Impossible in the 60s and leading the cult favorite Space 1999 in the 70s) and intermittent movie success.

You can't call it his late 80s/early 90s success a comeback, given that he never quit working, but it was a revival and a rediscovery...

Click to read more ...