Review: Stuber

by Dancin' Dan

Stu is a nice guy. Far too much of a nice guy, in fact. After he clocks out from his job working a big-box sports store, he cleans his car and clocks in to Uber, enduring all the assholes and drunks that use the car service in and around Los Angeles. He does this to get the money to help his best friend Becca open an all-women spin center, because he's also hopelessly in love with her. So after a rash of particularly bad (and mostly unfair) Uber reviews puts his precious star rating in jeopardy, and taciturn cop Vic Manning gets in his car, Stu is willing to do just about anything to make sure he gets a five-star rating. The problem is, Vic is reeling from the death of his partner, has just gotten a lead on his killer, and just had Lasik eye surgery. He can't see, and needs someone to drive him. Let the sparks - and laughs - fly.

Yes, the plot of Stuber is pretty boilerplate buddy comedy stuff. But it gains a lot from its casting...

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New this weekend: "The Farewell" and "The Art of Self Defense"

The alligator thriller Crawl and the buddy comedy Stuber are the new wide releases this weekend but let us now direct your attention to the new films in limited release today, as we reviewed both during their festival runs...

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Big Little Lies MVPS: Episode 2.5 "Kill Me"

Previously: Episode 1 (Nathaniel) Episode 2 (Spencer) Episode 3 (Lynn) Episode 4 (Nathaniel) 

by Eric Blume

I’m onboard with most of the TFE staff that season two of Big Little Lies isn’t quite up to the level of its first season, but that it’s filled with fun, exciting, and interesting things.  Last week, Nathaniel noted that David Kelley’s writing is weaker this season, and I agree (especially in those therapy scenes), but it’s also about the directing: Andrea Arnold has talent, but she lacks Jean-Marc Vallee’s lush lyricism and ability to keep everything jangled and on-edge. She also doesn’t have Vallee’s gift for framing:  the images aren’t as memorable as what Vallee put together, and she’s shot too many in-the-car sequences from the backseat so the scenes feel repetitive rather than intimate and revealing. 

 But each episode holds wonderful surprises and treats for those invested in the show...

Top Ten MVPs of Big Little Lies, Episode 2.5 "Kill Me"

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Review: MidSommar

by Chris Feil

Ari Aster’s sunbleached hellscape MidSommar opens with a horrific tragedy, a shocking act that has nevertheless long been grimly foretold for Dani, a depressed collegiate played by Florence Pugh. What unfolds for her in the rest of the film feels as projected by the warning signs around her and as cataclysmic. No, not the ominous surroundings of her European countryside getaway. She’s in a relationship doomed to collapse.

Though Dani’s imminent breakup with Christian (Jack Reynor) gets stalled by this horrible event, she suddenly finds herself slipping into his vacation plans with his begrudging friends. Promised a once-in-a-lifetime folk traditions in the isolated home village of one of his bros, the group descends upon the Hårga of Hälsingland looking to get a little stoned and enjoy some cultural tourism. Once there, Dani’s already established isolation in the group (and her relationship) intensifies from her grief and the increasingly strange rituals in which they participate. Lines are crossed early, but for reasons that feel insignificant in the end, they still stick around.

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Big Little Lies MVPs: Episode 2.3 – “The End of the World”

Previously: Episode 1 (Nathaniel) Episode 2 (Spencer)

by Lynn Lee

As someone who loved the first season of Big Little Lies, I have to admit I haven’t been enjoying the show’s sophomore outing as much, in large part because the tone has been so much more subdued, almost dirge-like.  It feels like the fire’s gone out of many of the key characters: Bonnie (Zoe Kravitz), of course, but even more so, Reese Witherspoon’s Madeline.  (Not Renata, bless her – yet even her manic aggressiveness seems driven by a desperation that wasn’t there before.)  This isn’t a choice I quarrel with, exactly: it feels like a necessary reckoning as the inexorable aftermath of a violent death, and the cast is beautifully illustrating the strain the “Monterey Five”’s silence is exercising on each of their lives and relationships. 

That said, the moments of humor – mostly courtesy of Laura Dern as Renata, of course – came as an especially welcome break, and figure heavily in this week’s MVPs...

Top Ten MVPs of Big Little Lies, Episode 2.3: “The End of the World”

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