Scarlett Stays Super

...superhuman that is.

It appears that after her third stint as The Black Widow for Captain America: Winter Soldier (it's not just a cameo), Scarlett Johansson isn't ready to part with the super-powered set just yet.  

She'll be starring in Lucy as a woman who gains superpowers after being a mule for an experimental serum. It's a new project for director Luc Besson (who seems to be aiming for a big comeback after a quiet decade starting with Malavita this fall). This latest deal suggests she's content to stay in franchise mode for awhile longer still despite surely being one of the richest young actresses in the world what with so many spokesperson deals and big budget thesping already behind her at only 29 years of age. The size that nest egg must be by now (!) but maybe that's purposeful and her interests lie outside of acting like, say, Angelina Jolie. And since Angelina seems to have vacated the A List Action Heroine niche, someone's gotta fill it. 

But for those of us who fell in love with dreamy Scarlett early on it's kind of shocking in retrospect that Action would prove to be her genre of choice. That languorous Ghost Worldly Girl With the Pearl Earring Got Lost in Translation somewhere; how does that girl have all this energy to run around kicking ass? Wouldn't she rather sleep and pout and stare forlornly off into the distance? Doesn't it make you even more curious about the upcoming sci-fi but not that kind of sci-fi drama Under the Skin. Scarjo doesn't seem to have sizeable artistic ambitions -- or she's storing them up secretly for her 30s (she's still only 28!) -- so why did she opt to work with the very artful Birth director Jonathan Glazer inbetween all the green screens?

Time will tell... and hopefully reveal that movie. Still no release date for Under the Skin and hasn't it been in post for ages? At this point it's been almost a decade since Glazer trained his hypnotic camera on Kidman in catatonic grief crisis mode at the opera.

#ticktockticktock

Take Three: Samantha Morton

Craig here with the penultimate ‘Take Three’. This week: Samantha Morton...

The Artists are present: Samantha Morton (and Marina Abramovic) doing jury duty in Venice right now

She's currently advising R-Pattz in Cronenberg’s Cosmopolis on screen and serving as a jury member on the 69th Venice Film Festival off screen.

Take One: Under the Skin (1997)
After some acclaimed TV and short film work, Morton made her feature bow in Carine Adler’s Under the Skin. In it she plays Iris, a girl selfdestructing and suffering due to the death of her mother. In this blistering debut Morton flits between girlish abandon and hot-tempered wilfulness. At times the camera has trouble keeping up with her as she weaves through life picking up numerous sexual conquests in retaliation for not being able to confront her grief. Other times, the camera can’t seem to pull away from its close focus on Morton’s expressive face, as in the scene where she enters a church and tearfully gazes at the congregation.

Iris’s spiralling descent into sexual oblivion is every bit as bruising and obsessive as, say, Michael Fassbender’s Shame odyssey – but from a far more adult viewpoint. (Whatever Fassbender’s Brandon did, he never had a guy piss on him for empty thrills – something Iris experiences here.) Iris vainly makes herself over by donning her dead mother’s clothes, wigs and makeup in an attempt to ‘become’ her in order to keep the memory close. Morton subtly alters Iris’ actions by veering between this maternal imitation and the fractured shell of a girl she really is. Authenticity is paramount to Morton and she shrewdly maintains a delicate balance between sexually assertive and introverted that never once feels contrived or tied up in actorly affectation. She's been a risk taker and has kept it real from day one.

Morton putting on a different face in "Under the Skin"

Control and The Messenger after the jump

Click to read more ...