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Entries in West Side Story (64)

Saturday
Dec112021

Beauty Break: To Rita Moreno on her 90th Birthday

by Nathaniel R

Today marks 90 years since the blessed birth of the legendary EGOT winner Rita Moreno. With Steven Spielberg's West Side Story remake upon us in theaters, the trailblazing Puerto Rican star is back in the spotlight. Not that light hasn't always followed her.... hell, emanated from her. Are we laying it on thick? Who cares, she deserves it!

As faithful readers know, the original West Side Story (1961) is my all time favourite so it was hard not to be skeptical / worried about the remake. Naturally then, the new rendition is taking me a bit of time to process but, in short, though some of the raves are hyperbolic, the movie is mostly a thrill. Of its many pleasures, the one that we most emphatically co-sign was uttered by Rita Moreno herself who said...

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Monday
Dec062021

Quickies to Catch Up: West Side Story, Don't Look Up, Nightmare Alley, House of Gucci

by Nathaniel R

It's that time of year when it is literally impossible to keep up. Most weeks have one maybe two if we're lucky films of interest opening. But in December it's like 10 high profile movies per week or something outrageous. So much can get lost in the shuffle which is always sad.

Here are some quick thoughts on four recent high profile screenings though we'll do full reviews when they open...

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Sunday
Oct242021

The wonderful world of Adam Stockhausen

by Cláudio Alves

Over the past decade, Adam Stockhausen has become one of Hollywood's most formidable production designers. Working his way up as an art director, the first movies he got to design weren't the most prestigious fair. Indeed, Wes Craven's late-career horrors didn't give him much opportunity to show off. That all changed when Wes Anderson, Steve McQueen, and Steven Spielberg all started to go to him as their preferred designer, relying on Stockhausen to create whole worlds from scratch, whether within a realistic milieu or total fantasy. Back in 2014, Grand Budapest Hotel earned him an Oscar, and Stockhausen is back on the hunt for more gold. Wes Anderson's The French Dispatch just arrived in American theaters, and the new West Side Story is on the horizon. Could he even nab an elusive double nomination?

Here are some highlights from Adam Stockhausen's filmography as production designer, from Anderson's whimsy to Spielberg's glitz…

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Tuesday
Apr272021

And the Best Presenter Oscar goes to... Rita Moreno (with a peak at West Side Story)

Nathaniel R

In the matter of one of the "smaller awards" (haha) like Best Picture, the Oscars chose to go very big and noteworthy indeed. Screen star and EGOT legend Rita Moreno (whose classics include The King and I, Singin' in the Rain, West Side Story, and Carnal Knowledge... though Hollywood obviously never did right by her denying her the lead roles she clearly would have aced) did the honors. She was a perfect choice both for her all-generations appeal, and her estimable comic gift. In introducing the Best Picture category she memorably joked that the most important award was "Best Supporting Actress" and her winning role came in a movie that won some other 'smaller awards,' too. She remains a reliable energetic funny delight at 89. Sadly, this great great moment didn't come at the end of the broadcast (argh!) but a couple of prizes too early. To understand how big a deal it is that Rita Moreno presented you have to also understand the history a bit...  

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Tuesday
Jan192021

How Do Stage-To-Screen Adaptations Fare At The Oscars?

Will Viola Davis be able to win Best Actress at the Oscars?The first step to Oscar success is appearing like a frontrunner. This is why adaptations always are at the top of people’s year in advance predictions. Yet, sustaining that early buzz (often sight unseen) can be a dicey proposition.

Both Ma Rainey’s Black Bottom and One Night in Miami are play adaptations that are towards the top of many Oscar predictions right now. Now that both are available on streaming (Netflix and Prime Video, respectively), audiences are finally seeing and enjoying both films. While critics have been giving out their awards recently, the major precursors for the Oscars (guilds, Golden Globes, Critics Choice) still have not been announced. Can we look to the awards run of their source material as a signal for how they will perform at the Oscars?

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