Showbiz History: It's "One Night in Miami" day!

8 random things that happened on this day, February 25th, in showbiz history...

Feb 25th, 1964 in history (left) and reenacted in 2020 for One Night in Miami... (right)

1950 Your Show of Shows premieres on NBC. The live variety show starring Sid Caesar and Imogene Coca, was a stepping stone for legendary comedy writers like Mel Brooks and Neil Simon. The show helped create the  variety genre and inspired both the TV classic The Dick Van Dyke Show and the movie My Favorite Year.

1956 Poets Sylvia Plath and Ted Hughes meet at a party. Their doomed romance is dramatized in the 2003 film Sylvia starring Gwyneth Paltrow and Daniel Craig...

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Links: Being the Ricardos, Sex and the City Redux, and the Great Content Rush

• Apple will finance Ridley Scott's Napoleon epic Kitbag starring Joaquin Phoenix. (Bet you hundreds of millions of dollars that they change the title.) Ridley is such a workaholic. He is 83 and still attached to at least 6 upcoming projects as a director (not to mention his producing work) and completing work on his next epic The Last Kingdom and also has that HBO series Raised by Wolves currently running. That's a lot of energy for an octogenarian!
• Vogue Tilda talks about her career with playwright Jeremy O Harris 
• Deadline Nicole Kidman and Javier Bardem to play Lucille Ball and Desi Arnaz in Aaron Sorkin's Being the Ricardos. It takes place during the production of one episode of I Love Lucy. We love a tightly focused biopic. Yes, this is the same project that Cate Blanchett was once attached to (back in 2015). Do you think Nic & Javi look anything like these two?

More after the jump including Sex and the City revival and the Kennedy Center Honors...

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"Raised by Wolves" 1-3: Prometheus Reborn

by Tony Ruggio

"Mother" and her children

Raised by Wolves is Ridley Scott’s answer to those who didn’t take to Prometheus, his magnum opus follow-up to Alien decades later. The powers that be got in the way of his true passion and led to a compromised vision once Alien Covenant came along. This is clearly an opportunity for him to revisit such themes as religion, man’s origin, and artificial intelligence, as well as delve into his slower, more methodical aesthetic preferences in greater detail. The first three episodes introduce us to a future wherein a great war has been fought (or is still being fought? It’s unclear) between atheists and a religious faction known as the Mithraic, spiritual fundamentalists devoted to a sun god called Sol. 

The story begins on a planet distant from Earth where an atheist group has sent two androids with the mission of shepherding a successful human colony there. So far, Wolves is primarily interested in the evolving behaviors of these androids, known only as Mother (Amanda Collin) and Father (Abubukar Salim)... 

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Who should receive an Honorary Oscar?

Liv Ullmann and Max von Sydow in "Shame"Pete Hammond at Deadline revealed this morning that with all the dates moving earlier next Oscar season, the Academy is actually choosing the next Honorary Oscar winners THIS WEEKEND. It's too late then for an FYC but we feel the need to do one anyway. In the past we've made great suggestions like Albert Finney, Doris Day, Neil Simon, Michael Ballhaus, and Marni Nixon but they let all those people die without honoring them which is such bad form. At least they heard us on Maureen O'Hara, Harry Belafonte, and Angela Lansbury!

I have a suspicion that Caleb Deschanel, obviously a well-loved cinematographer given that surprise sixth nomination for the German film Never Look Away last season, will be named this year. He's 74 years old. For some reason I don't think they'll go with Glenn Close quite yet though she's a common prediction. She's 72 but working a lot right now and still in her prime.

TWELVE SUGGESTIONS...

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Review: "All the Money in the World"

by Chris Feil

On its surface, All the Money in the World has enough stodgy elements of familiarity to convince you it is something you have seen dozens of times. Stately period detail, imposing masculine figures, Ridley Scott’s sheen of seriousness over its true story. The kind of thing where its grey color palate reflects our engagement with its narrative. Luckily the film is surprisingly thrilling and its chillier aspects make an interesting embodiment of the monolith of its steely upper upper class villain. Or even the indifference of a world that allows his greed to thrive.

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