What Movies Give You Nightmares?

by Cláudio Alves

There's no stopping A24, its ascension as distributor and studio one of the last decade's biggest success stories. Just this month, Civil War marked their most successful opening weekend, even expanding to IMAX. Speaking of those giant screens, A24 has been re-releasing some of their greatest hits in the format, starting with Ex Machina back on March 27th. Uncut Gems is coming May 22nd, while April's selection hits theaters tomorrow, beckoning audiences to relieve a movie nightmare like none other. It's Hereditary, Ari Aster's promising debut and one of the few theatrical experiences that caused me sleepless nights. Believe me, when you watch as many horror flicks as I do, that's rather special…

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Which star would you want to haunt your dreams?

by Cláudio Alves

Maybe Mitzi Fabelman was right. Maybe films are dreams you never forget, imagination unbound and projected wide at 24 frames per second. And yet, the reverse trajectory can happen, too. From dreams becoming movies to dreams made from movies– who hasn't been lost in some oneiric reverie with one or two elements borrowed from a cinematic favorite? I know I have on multiple occasions, and sometimes it's not even the pictures themselves but the faces that shine brightly within the frame. Movie stars can feel bigger than life, already a step removed from reality with a foot planted in myth, making them perfect fodder for the unconscious mind. 

In Dream Scenario, soon in theaters, Nicolas Cage stars as Paul, a hapless man manifesting across strangers' slumbering fantasies. He's a nobody whose unlikely place in other people's dreams transforms him into somebody. He's a star of sorts, just like the man playing him…

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Sundance: A24’s Very Hyped ‘All Dirt Roads Taste of Salt’

By Abe Friedtanzer

A24 is known for taking leaps of faith on many of their projects. Their films aren't necessarily for everyone, but there’s something unique about most of them. That’s most definitely the case with All Dirt Roads Taste of Salt, a drama that makes no effort to present its events in chronological order. In between any given screening at Sundance, all anyone is talking about is how incredible this film is. Whether or not future audiences have a similar response \will be dependent on their ability to appreciate its glacial pace and its unconventional approach to storytelling, one that reminds very much of Terrence Malick, which is not a light statement…

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A24’s Paul Mescal Double: 'Aftersun' and 'God’s Creatures'

by Eurocheese

A24 has had a killer 2022 so far, and they’re not slowing down. The effusive love for Everything Everywhere All at Once has indeed been everywhere: tributes to all the actors (including Middleburg last week), Park Chan-wook adding his name to the list of celebrities declaring their love for the film, reports of Academy screenings going like gangbusters – the weird little blockbuster-that-could has done everything it can to stay front and center in the Oscar race. On top of that, there’s the critical success of several A24 films in their bread-and-butter category of horror/thriller (X, Bodies Bodies Bodies, Pearl) and a couple of gems that are enchanting discoveries for those that seek them out (After Yang, Marcel the Shell with Shoes On). What more could we ask of them? 

As it turns out, we can expect them to showcase the brilliant (not to mention gorgeous) Paul Mescal in two films that highlight his ability to be heartbreaking and ice cold in polar opposite performances...

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NYFF: Margaret Qualley anchors ‘Stars at Noon’ from Claire Denis

By Abe Friedtanzer

At the NYFF introduction of Stars at Noon, the most recent work by Claire Denis,  it was noted that the acclaimed auteur doesn’t have a consistent style or preferred genre in her filmmaking. Recent works like High Life and Let the Sunshine In, both of which screened at NYFF and featured her frequent collaborator Juliette Binoche, are not at all indicative of her two 2022 films (the other is Both Sides of the Blade). Stars at Noon is another about face. It's a romance mired in political mystery, a puzzle that never truly feels like it needs to be solved.

Stars at Noon is based on the 1986 book by Denis Johnson that's set during the then-recent Nicaraguan War. Denis has updated the material to the present, and centered it on Trish (Margaret Qualley), an American journalist who has clearly outstayed her welcome and is struggling to find the big story that will get her back on track...

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