Almost There: Robert De Niro in "Mean Streets"

by Cláudio Alves

Fifty years ago today, the 46th Academy Awards took place in Los Angeles. It was a starry night, as Oscar nights often are, and The Sting would end the ceremony as its big winner. The Exorcist and The Way We Were also did well for themselves, illustrating a push-and-pull between modernity and tradition as the industry tried to reckon with the nascent Old Hollywood movement within its ranks. Indeed, that same year, an up-and-coming New York-based filmmaker had premiered his third feature to great acclaim. Amid its cast was an actor who'd become one of his most important collaborators, a creative partnership that lasts till today and has shaped a good part of American film history.

Mean Streets was also the first time Robert De Niro entered the Oscar conversation. Critics singled him out for his turn as Scorsese's Johnny Boy…

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Venice 2023: "The Killer" and "Hit Man"

by Elisa Giudici

Venice's most sought-after job this year? The sicario. Professional assassins are trending. Today David Fincher's The Killer and Richard Linklater's Hit Man. 

THE KILLER by David Fincher
The real mystery here is whether The Killer's lack of ambition stems from production during the COVID years and a tight schedule due to Michael Fassbender's busy agenda, or if Fincher simply wanted to have fun. While it may not be a masterpiece or top tier Fincher, The Killer is still a thriller directed by Fincher, a master of the form.

This time, Fincher designs the movie around the protagonist's voiceover, setting the rhythm for the entire story and influencing the cinematography and editing choices...

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Streaming: Keira Knightley in "The Boston Strangler"

by Matt St Clair

Dynamic of an actress as she may be, Keira Knightley remains quite stuck in the past. As she brilliantly makes each role she plays her own, she consistently transports us into different time periods whether it’s WWII (Atonement, The Aftermath), 5th century AD (King Arthur), or 18th century England (The Duchess). This time around, Knightley is taken to the early 1960s in Boston Strangler, the new journalism crime drama written and directed by Matt Ruskin (Crown Heights)... 

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Sundance Review: 'The Accidental Getaway Driver' swerves beautifully toward slowness

by Jason Adams

Blessedly patient with its could’ve been wacky and wild premise, writer-director Sing J. Lee’s The Accidental Getaway Driver opts to be a methodical mood piece. This based-on-a-true-story tale is about an elderly Vietnamese driver named Long (Hiep Tran Nghia) who takes the wrong phone call at the wrong time and gets dragged into a crime-drama he has no place being in the middle of. You can see the 90s Jackie Chan high-concept version of this story staring in, but Lee’s film aims for and hits something much deeper. Something that speaks to assimilation and generational divides in hushed tones, and with a genuine tension that remains unshowy at every turn. I loved it...

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Best Shot Picks and Nathaniel's Choice from 'The Godfather'

by Nathaniel R

Our film title this week on Hit Me With Your Best Shot was in honor of the restoration of The Godfather (1972) for its 50th Anniversary. Here are the Best Shot choices from seven participants and my own towards the end of the post. Click on the images that follow to read the corresponding articles. I'll be "talking" inbetween the images about a film I've never written about before (!) as I select my own... 

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