Jocelyne LaGarde @100: "Hawaii"

by Cláudio Alves

This year, there was much talk about Lily Gladstone as one of the few Native Americans ever nominated at the Oscars. This focus on indigenous representation makes one's mind wander further into Academy history. After all, who was the first? Jocelyne LaGarde was her name, and today marks a century since her birth. The film that earned such honor was one of those 1960s overblown epics, the historical farrago of Hawaii by George Roy Hill, whose future work would stray away from such stodginess. Yet, to dismiss the piece as colonial apologia like some of its harsher critics do is unjust. The picture's much stranger than that, cruel and miserable, willing to see missionary work as the destroyer of paradise, a tragedy marred by the kind of spiritual bleakness no luscious island vista can conceal…

Click to read more ...

On Gladstone and Scorsese's Mollie Kyle

by Cláudio Alves

Oscar voting opens today, and, for once, some of my favorites are poised to thrive on the nomination ballot. Because of that, it might seem overkill to write FYC pieces, those love letters by another name. Even so, as it's a time for advocacy, I shall articulate why some of the year's best cinematic achievements deserve to be recognized as such. Today, I find myself inspired to make the case for Lily Gladstone, a virtual lock for a Best Actress nomination who might win it all. And to think some said going lead would ruin her Oscar hopes. 

As Mollie Kyle in Martin Scorsese's Killers of the Flower Moon, she breathes life into a dark chapter of American history. Gladstone illuminates the tragedy of a woman and people betrayed, forsaken by individuals who claimed to love them and systems who exploited them under the guise of protection, brutalized by greed and white supremacy…

Click to read more ...

Ridley Scott vs. History

by Cláudio Alves

With Napoleon in theaters, Ridley Scott's on a rampage – or what most people call it, a press tour. The 85-year-old director is out of fucks to give, throwing shade at historians left and right, not to mention the entire population of France. If the French can't like themselves, how in the hell are they gonna like Scott's latest movie? Ruisms aside, the filmmaker's wrath has been primarily directed at those who dare come to his cinema expecting a modicum of historical accuracy. Simply put, that's not where Sir Ridley's interests lie, as he's fond of reminding his critics.

But then, why does he keep throwing himself at historical narratives? The conundrum got me thinking about his vast and vastly inconsistent filmography…

Click to read more ...

Happy Bastille Day!

by Cláudio Alves

On this day, 233 years ago, revolutionaries stormed the Bastille, seizing control of the medieval fortress turned political prison, a symbol of royal authority over the people. The event is often thought of as the inciting incident of the French Revolution. This time of radical societal change, which lasted until 1799, represents one of the most critical points in human history, the endpoint to the early modern period. To mark the occasion, since 1790, France has celebrated the Fête de la Fédération, a national holiday commonly known as Bastille Day. As a self-described French Revolution nerd who's been obsessing over the subject since middle school, it's a pleasure to combine that passion with another immortal love of mine - cinema. What better way for a cinephile to celebrate the date?

So, without further ado, let's explore how filmmakers have looked at this chapter in history. There are countless approaches, of course, but I shall focus on ten examples, including THE FRENCH REVOLUTION AS...

Click to read more ...

Almost There: Glenda Jackson in "Mary, Queen of Scots"

by Cláudio Alves

Eva Husson's Mothering Sunday arrives in American theaters in February. If you are in the UK, you can already stream or rent the movie online. This period drama marks the return of Glenda Jackson to the big-screen after years in Parliament and brief stints on stage. So it seems logical to celebrate this tremendous thespian now, who remains one of the strangest Oscar favorites in Academy history. I've written about her 1970 victory for Women in Love before, but Jackson's career is vaster than the fruitful collaboration with Ken Russell. For instance, on TV, she played the definitive dramatization of Elizabeth I in the BBC's 1971 miniseries Elizabeth R and won two Emmys for her efforts. Concurrently, the actress also played the 16th-century monarch on film.

Charles Jarrott's Mary, Queen of Scots saw her consider the role in a less historical context, performing the Virgin Queen in romanticized opposition to Vanessa Redgrave in the part of her doomed Scottish cousin…

Click to read more ...