Doc Corner: 'Truman & Tennessee: An Intimate Conversation'

By Glenn Dunks

I think it is fair to say that Lisa Immordino Vreeland has a preoccupation with the upper class. Beginning with her feature debut in 2011—Diana Vreeland: The Eye Has to Travel about the famed French-American fashion editor (also her own grandmother-in-law)—and on through other titles about more mid-century well-to-dos, Vreeland has carved a niche out of documentary portraits that tend to coast on the infamy of the rich and famous. I have enjoyed some (2017’s Love, Cecil) more than others (2015’s Peggy Guggenheim: Art Addict).

Her latest is Truman & Tennessee: An Intimate Conversation, which finds Vreeland more or less still pre-occupied with high society. A slick twist to the structural formula casts Jim Parsons and Zachary Quinto as unseen mouthpieces for the words of Truman Capote and Tennessee Williams...

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Doc Corner: The Dandy Glam of 'Love, Cecil'

by Glenn Dunks

Cecil Beaton was a dandy. He was an elegant fop, an aesthete, a bright young thing, a (mostly) homosexual. These are all words used to describe him in Love, Cecil, a charming bio-doc from director Lisa Immordino Vreeland. They are words not used in malice, but in reverence to a man whose singular attitudes flew in the face of what men were ‘supposed’ to be. Cecil Beaton had about him an air of posh aristocracy that belied his place in society, but which would ultimately allow him to become ingratiated into the inner-sanctum of Britain’s upper-class (including right up the Queen herself), the world of celebrity, and even the Academy as the Oscar-winning designer behind Gigi and My Fair Lady. He also just happens to be one of the great photographers of the 21st century

Love, Cecil is Vreeland’s most accomplished film to date...

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