Review: "Black Panther: Wakanda Forever"

by Nathaniel R

Presenting a task as impossible as hiding a futuristic country for centuries in Sub-Saharan Africa. Imagine having to follow up the phenomenon of Marvel's Black Panther (2018) which, like most explosive zeitgeist events, had ultra precise perfectly timed ingredients and arrived at the exact moment in culture when all of them would be most appreciated. Now imagine having to follow that up without its charismatic leading man, lost to cancer at the young peak of an already impressive career. Director Ryan Coogler was in an unenviable position. It's no surprise, then, that the sequel to Marvel's most popular solo adventure is a bit wobbly on arrival. Never mind that the sequel must bear the weight of all the absurd expectations and make sense of T'Challa's absence while trying to find new legs on both land AND at sea. Thank god for the latter. Whatever the movie's faults, it's not from attempting a simplistic retread...

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Off to see "Thor: Love and Thunder"

TAIKA WAITITI AT THE THOR LOVE AND THUNDER AUSTRALIAN SPECIAL EVENT SCREENING SYDNEY AUSTRALIA 27TH JUNE 2022. © Scott Ehler for Getty ImagesWish us luck!  Kidding. The buzz is strong with this one...

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Yes No Maybe So: 'Nope', 'Deep Water', and 'Multiverse of Madness'

by Nathaniel R

No sooner did we get caught up on trailers with Jurassic World and such than the Superbowl hits which brings with it a new wave of teasers and trailers, not all of them airing during the game (that's expensive!) but here are the latest via our Yes No Maybe So™ habit. Join in the trifurcated breakdwon in the comments...

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Review: the sprawling staccato "Eternals"

by Nathaniel R

Why am I here? What is my purpose? Who am I… really? These are essential questions in life and if you stop to think about it, they’re also the backbone of practically every superhero origin story. A hero discovers their gift. Grapples with how to use it and what kind of person they are and what kind of hero they can be.  With great power comes great responsibility. Etcetera. The reaction to Marvel’s Eternals suggests that it’s the first “spiritual” or “existential” superhero film which is, quite frankly, the opposite of the truth. 

Where did this impression come from? Perhaps it’s only that most superhero films asks these questions in a less “I’m asking these questions!” kind of way. Or, even when they're obvious about the questions, they quickly jump back into the action setpieces. Eternals wants to be more of a sober meditation but it can’t reconcile the weightiness of contemplation with the weightlessness of frequent CGI action setpieces...

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Box Office: 007 Money and 2021's Highest Grossers

All you need to know about this very strange ecosystem shift in moviegoing is that an Icelandic language film (Lamb) made the overall top 10 despite having a per screen average of just $1,715. These are odd times we're living in when only blockbusters are making bank and even those aren't operating at close to full strength. There used to be 25-30 movies in wide release at any given time but there were literally only 8 in release this weekend here in the US. One wonders how the economics will all play in the future decade since streaming isn't as profitable as the traditional theatrical market and films have always been budgeted for pre-COVID realities. Will we see production values decrease in the next decade as Hollywood starts trying to make things on the cheap or just much higher subscription prices for streaming services?  What did you see this past week/weekend? More notes are after the jump.

Weekend Box Office October 8th-10th 🔺 = new or expanding / ★ = recommended
WIDE RELEASE	PLATFORM TITLES
No Time To Die	Lamb
1 NO TIME TO DIE 🔺  $56 Deborah's Review	1 LAMB 🔺 $1.0 in 583 theaters Cannes Capsule
2  VENOM LET THERE BE CARNAGE  $32 (cum. $141.6)	2 THE JESUS MUSIC [DOC] $150K in 270 theaters (cum. $857k)...

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