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The Films of 2021. The 22nd annual FiLM BiTCH Awards

PICTURE  | ACTING | VISUALS | AURALS | EXTRAS | SPECIAL | SCENES 

 

gold medal

 silver medal

  bronze medal

 

and the nominees and winners are...  

BEST PICTURE
discuss
IN THE HEIGHTS
Jon M. Chu
(Warner Bros)
June 11th
PASSING
Rebecca Hall
(Netflix)
Oct 27th

POWER OF THE DOG
Jane Campion
(Netflix)
Nov 17th
WORST PERSON IN THE WORLD
Joachim Trier
(Neon)

Qualifying Only
ZOLA
Janicza Bravo
(A24)
June 30th
A joyous big screen musical that understands and loves the form. What spirit! A thematically precise but visually ambiguous race drama set in 1920s Harlem. An instant classic  psychosexual western chamber drama from one a world great filmmakers. The romcom as existential restless character study with a generation gap undertow. A raucous inventive road trip stripper comedy ripped straight from the headlines twitter
 

Finalists: The Green Knight haunts with its eery medieval hallucinations,  tick tick...BOOM!  is a ragged collage of a musical biopic filled with urgency and purpose.  

Semi Finalists: The supreme silliness of Barb and Star Go To Vista Del Mar,  the angry horny damning Benedetta , the miniature profundity of Petite Maman (MORE ON THE TOP TEN LIST HERE) the showmanship and thoughtful reinvention of West Side Story, and the jagged tetchy character study of  The Lost Daughter

 

BEST DIRECTOR
discuss
Janicza Bravo
ZOLA
Jane Campion
POWER OF THE DOG
Jon M Chu
IN THE HEIGHTS
Rebecca Hall
PASSING
Joachim Trier
WORST PERSON IN THE WORLD
 Invention, control, economy, humor, and keeping so many lively performances in sync
 Tension worthy of Hitchcock and her usual mastery of psychosexual  collisions
For channeling old Hollywood movie musicals techniques into a vibrant contemporary mosaic What clarity of vision for a debut. Thoughtful choices, smart visuals, and guiding rich star turns
 Norway's greatest auteur outdoes himself with this fascinating fun complex existential romcom.
 

Finalists: David Lowery for the lingering ancient hallucinatory dramas of The Green Knight, Steven Spielberg for an electric fresh take on the classic West Side Story and a firm grasp on the movie-musical form

Semi Finalists: Denis Villeneuve brings majestcy, scale, and wonder to Dune Part One... can he stick the landing with Part Two (or Three)? , Paul Verhoeven proves with Benedetta that he hasn't lost any of his edge or humor at prickliness at 83,   David Pablos does sensual, rich, and mournful work on Dance of the 41, Julia Ducournau's Titane isn't for everyone (is it even for me?) but there's no denying that she has a vision and utter faith in it and the ability to deliver it, and the world's greatest autuer Pedro Almodóvar adds another rich film to his stunning filmography with Parallel Mothers

 

BEST ORIGINAL SCREENPLAY
discuss
C'MON C'MON
Mike Mills
MASS
Fran Kranz
PETITE MAMAN
Celine Sciamma
PARALLEL MOTHERS
Pedro Almodóvar
WORST PERSON IN THE WORLD
Eskil Vogt & Joachim Trier
 Mills never fails to deliver compelling endearing drama, this time child-sized.
This controlled but angry drama packs quite a wallop. Beautiful characterizations
 An intellectual exercize, sure, but with beautifully succint emotional profundity.
This master of melodrama braids the personal to something more overtly political this time.
 Melancholy, deep, hilarious, and restless, Vogt & Trier continue to be a dream team.
 

Finalists: Emma Seligman gives delicious debut with Shiva Baby. A sharp comedy with zero fat but plentiful flavor, nobody is doing morality ethical puzzle boxes like Asghar Farhadi who is back with A Hero 

Semi-Finalists: The French Dispatch by Wes Anderson, Roman Coppola, Hugo Guiness, and Jason Schwartzmann,  Licorice Pizza - Paul Thomas Anderson, Red Rocket - Sean Baker & Chris Bergoch, Pig - Michael Sarnoski & Vanessa Block, and Belfast Kenneth Branagh

 

BEST ADAPTED SCREENPLAY
discuss
DRIVE MY CAR
Ryüsuke Hamaguchi and Takamae Oe
PASSING
Rebecca Hall
THE POWER OF THE DOG
Jane Campion
WEST SIDE STORY
Tony Kushner

ZOLA
Janicza Bravo & Jeremy O'Harris
Expanded and inspired by the short story from Haruki Murakami and "Uncle Vanya" by Anton Chekhov
 A delicate beautiful rendering of the tricky-to-adapt novel by Nella Larsen
 
 A brilliant cinematic and bold adaptation of the novel by Thomas Savage
A contemporary rethink of the classic  musical (music: Bernstein, lyrics: Sondheim, book: Laurents)
 A sly singular riff on the tweet thread by A'Ziah King and the article "Zola Tells All" by David Kusher
 

Finalists: The Lost Daughter by Maggie Gyllenhaal based on the novel by Elena Ferrante, and I'm Your Man Jan Schomburg and Maria Schrader based on the short story by Emma Braslavsk,

Semi Finalists: tick tick...BOOM! Steven Levenson based on the rock monologue by Jonathan Larson, Benedetta Favid Birke and Paul Verhoeven based on the book by Judith C Brown, Dune Jon Spaihts, Denis Villeneuve, and Eric Roth based on the novel by Frank Herbert, Prayers for the Stolen Tatiana Huezo based on the novel by Jennifer Clement, and The Green Knight - David Lowery based on the legend of Sir Gawain and the Green Knight,

 

BEST ANIMATED FEATURE
discuss
  ENCANTO
Jared Bush & Byron Howard
(Disney)
Nov 24th
FLEE
Jonas Poher Rasmussen
(NEON)
Dec 3rd
LUCA
Enrico Casarosa
(Pixar)
June 18th
 
 
 Despite Disney's well worn house style and tropes, the chaotic comic energy, undertow of individual anxieties of purpose, and propulsive song score, gives this tale peculiar charms all its own.

 Beautiful expressive use of the medium to tell the  story of a gay man who flees Afghanistan as a child and must reconcile his past with his adult future as a gay man in Denmark.
 Simplicity does not equal lesser or "minor" art. This intimate "small" story of a sea creature experimenting with life on land, doubles as a moving coming of age story
 
 

Finalist: N/A 

Semi-Finalist: Summit of the GodsThe Mitchells vs the Machines, Vivo, and Belle

NOTE: We only have three nomination spots a year since the Academy's rules for this are kind of crazy. You only need 16 features to trigger a 5 wide race with AMPAS. That's about a 33% chance of being nominated if you so much as exist! If Best Picture had the same ratio of existence to nominees, our Best Picture list would be around 80-90 nominees long each year based on how many films qualify! Can you imagine?

 

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