"sweetheart..."
Which Best Actress would you have voted for 25 years ago in the Oscar race?
- Brenda Blethyn, Secrets & Lies (BAFTA, GLOBE, LAFCA, CANNES, BSFC)
- Diane Keaton, Marvin's Room
- Frances McDormand, Fargo (SAG, OSCAR, NBR, CFCA, KCFCC, CCA, SEFCA)
- Kristin Scott Thomas, The English Patient (NBR *supporting)
- Emily Watson, Breaking The Waves (NYFCC, NSFC)
This is why we do Gold, Silver, and Bronze medals here at TFE. It's easier that way! Anyway... 1996 was one of those years like 1950, 1974, 1987, 1995, or 2006 that Best Actress fans will be debating forever. Do you think 2021/22 will be like that or will we look back on the current race as a mild 'coulda been better' one?
Reader Comments (54)
@jules, Nathaniel: I totally where you're coming from Nathaniel but like Jules said, cultural impact isn't a *primary* reason to award an Oscar but it's certainly a huge get when it happens. If Meryl Streep had won for Devil Wears Prada (excellent example, Jules), that would have been a real feather in the academy's cap. Instead they gave her her third Oscar for Iron Lady, a movie no one seemed to like much, even at the time. It's all hindsight, yes, but (going back to my first example from yesterday) did anyone think Michael Caine in Cider House Rules was doing anything special at the time he won? Aside from Osment, he was also up against Jude Law in The Talented Mr. Ripley - a star-making performance if ever there was one! Good conversation to have, at any rate.
Blethyn > Scott Thomas > Watson > McDormand > Keaton
This is one of my favourite Best Actress years ever. It's a really rich mix of films, characters and performances. Laura Dern was robbed! Even leaving out Madonna, Love and Reynolds who were in the conversation. McDormand would get my vote, but I have to stand up for Keaton. It's very hard to play a kind and warm character without it being smarmy. Her monologue about love is delivered with such beauty and nuance. It's a deserved nomination.
1996 was the so-called "year of the indies," and Illeana Douglas for Grace of My Heart and both Catherine Keener and Anne Heche for Walking and Talking would be worthy (however unlikely) nominees.
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