Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Recommend Best Shot: "HEAVENLY CREATURES" (Email)

This action will generate an email recommending this article to the recipient of your choice. Note that your email address and your recipient's email address are not logged by this system.

EmailEmail Article Link

The email sent will contain a link to this article, the article title, and an article excerpt (if available). For security reasons, your IP address will also be included in the sent email.

Article Excerpt:

Hit Me With Your Best Shot. Each week we assign a movie. Participants are asked to select its best shot and post it to their own webspace by Wednesday evening. Everyone is welcome to join in. Next week's topic is Beauty & The Beast (1991) and there had better be a big crowd. Who doesn't love that movie?

Today we're gazing at...

HEAVENLY CREATURES (1994)

With last year's mania for the dehumanizing Kick-Ass, this Spring's death-skilled Hanna and the internet's current casting obsessions with Hunger Games, in which a young girl Katniss (to be played by Jennifer Lawrence) becomes a killer to stay alive in a future that loves murder games, you'd think just about every other violent act in the world nowadays was committed by teenage girls. This type of violence can still shock onscreen -- and I hope it always will -- but it almost never arrives with both bludgeon force and emotional acuity the way it does in Peter Jackson's hysteric and hysterically imaginative Heavenly Creatures.

The problem that Heavenly Creatures poses with a "best shot" blogging experiment is not that it doesn't have these images, but that the images are rarely static and eager to be captured with your typical screen capturing devices. Only full on film clips would suffice. Peter Jackson loves the motion in his motion pictures and Juliet ("Introducing... Kate Winslet") and Pauline ("And Introducing... Melanie Lynskey") are about the most spastic female characters of the past couple of decades outside of maybe Molly Shannon's "Superstar!" They're constantly flinging themselves about. (read the full post.)


Article Link:
Your Name:
Your Email:
Recipient Email:
Message: