by Nathaniel R

Dearest reader, as you've probably heard by now the director Jonathan Demme has passed away at 73. He died due to esophageal cancer. I had run into him at a screening of La La Land  this past September and I took the opportunity to tell him how much Rachel Getting Married  meant to me (he joked about being first with interracial weddings for Rosemarie deWitt onscreen). Then we talked Swing Shift for a little bit as we had just discussed it on this very site. I was so saddened by this yesterday that I couldn't do much but tweet my farewells. The words wouldn't come out for a lengthy piece but then, surprise, I remembered I'd written the following piece that was never published (oops) to coincide with the release of Ricki and the Flash (2015). I filled in a few of the blank spots and adjusted some verbs to reflect the past tense but this surprisingly doubles as what I probably wanted to say about Jonathan Demme yesterday and couldn't. It's about his favorite actors but looking back, it's a fitting tribute because what American director was more curious about literally any kind of person he might find with his camera?

Jonathan Demme was one of America's most interesting and surprising directors. Though he's now best remembered for the modern classic The Silence of the Lambs (1991) it was actually something of an oddity in his filmography being the only horror film and, in some ways, the most classically controlled. In other ways though it's a traditional Demme picture. It features actors doing unexpected or suddenly signature electric work, weird musician cameos (what the hell is one of the members of 80s synth pop band Book of Love doing in there?), and diverse casting where most films would go with the default heavily male white cast. In fact, Silence might be his most white/male movie but that's part of its plot...