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By Glenn Dunks
Biographical documentaries about dead musicians often fall into two camps: the reverential and the tragic. Films that focus too much on the latter like Amy or Whitney pale in comparison to something like Liz Garbus’ What Happened Miss Simone?, a film that knew that to understand your subject's tragedy you first have to understand the many facets of the artist in question.
This week, however, we get two biographical documentaries about important and influential musicians who are still (thankfully) very much with us, but which nonetheless tell their subjects’ stories in wildly different ways. Bad Reputation is clearly the more traditional of the pair, a fairly standard bio-doc that charts the life and career of Joan Jett, while Matangi / Maya / M.I.A. is more a work of artistic Jenga that roams and rummages through its subject’s life with the anarchistic spirit of her music.
What strikes me as interesting about both films is how Joan Jett and Mathangi [sic] “Maya” Arulpragasam (aka M.I.A.) directly instruct the narrative of ‘their’ films...
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