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by Chris Feil
To some degree, The Nightmare Before Christmas feels like the bastard child of Disney’s animated musicals. Granted the film was originally released under the Touchstone label due to concerns of frightened children and timid brand alignment. But in the years since, it’s grown beyond its cult following into full Mouse House acceptance, certainly one of the most merchandised of its era and most revisited thanks to inherent traditions in its duel holiday premise. So why does its music not get discussed alongside its peers?
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