by Chris Feil

With Renée Zellweger likely taking home another Oscar for her performance of Judy Garland this Sunday, it feels like a full circle moment for the actress’s career and Oscar’s relationship with musicals in the modern era. Rob Marshall’s take on the Kander and Ebb masterpiece Chicago was a platonic ideal between Academy voters (and the public) who sneered at the genre and its fans that were reinvigorated by the audacity of Moulin Rouge! just a year prior. Chicago injected new life into a previously dead genre, reigniting Oscar’s love as well, from all-out musicals to especially musical biopics like Zellweger’s Judy.