Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Recommend The Furniture: First Cow and the Architecture of Settlement (Email)

This action will generate an email recommending this article to the recipient of your choice. Note that your email address and your recipient's email address are not logged by this system.

EmailEmail Article Link

The email sent will contain a link to this article, the article title, and an article excerpt (if available). For security reasons, your IP address will also be included in the sent email.

Article Excerpt:

Daniel Walber's series on Production Design. Click on the images to see them in magnified detail.

First Cow is a mossy and melancholy tragedy. Kelly Reichardt makes the failure of her protagonists clear from the start, showing us their skeletons before introducing them in the flesh. There’s a morbid air to everything that follows, though it’s softened by an atmosphere of tremendous beauty. It’s the best ASMR video of the year.

Cookie Figowitz (John Magaro) and King-Lu (Orion Lee) clearly think that they are in a land of endless possibility: Oregon Country in the 1820s. Decades before a settled border, the USA and the British Empire “jointly occupied” the Pacific Northwest, in accord with an 1818 treaty agreement that did not even acknowledge the presence of indigenous people.

This is the context for King-Lu’s utterly false observation:

This is still new - more nameless things around here than you could shake an eel at… History isn’t here yet.”


Article Link:
Your Name:
Your Email:
Recipient Email:
Message: