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by Cláudio Alves
Back in the 1960s, unlike now, a film could be recognized in the Best Foreign Language Film category one year and still compete for the other Oscars the next. Such a strange fate befell Jacques Demy's The Umbrellas of Cherbourg, an intoxicating love letter to the classic Hollywood musical by one of the most inventive auteurs of the Nouvelle Vague. In 1964, the picture was a nominee for Best Foreign Language Film and would go on to conquer four other nods in 1965, the year of our next Supporting Actress Smackdown.
While it's easy to resent the Academy for not fully embracing the flick (it won nothing), the citations it received, for Demy's script and Michel Legrand's music, were fully deserved...
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