Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Recommend How Had I Never Seen..."Blue Velvet" (Email)

This action will generate an email recommending this article to the recipient of your choice. Note that your email address and your recipient's email address are not logged by this system.

EmailEmail Article Link

The email sent will contain a link to this article, the article title, and an article excerpt (if available). For security reasons, your IP address will also be included in the sent email.

Article Excerpt:

We're revisiting 1986 this month leading up to the next Supporting Actress Smackdown. 

by Ben Miller

I’m not a David Lynch person.  My first exposure to anything he made was The Straight Story, the most un-Lynchian thing he ever did.  I wasn’t around the people who cared about Twin Peaks the television show, the film or the subsequent revival series.  I enjoy the levels of surreal like David Cronenberg and Yorgos Lanthimos, but Lynch is a level of bizzare I wasn’t willing to commit myself to caring about.

But, being the Oscar completist that I am, I gave a shot to Mulholland Drive, and I really took to it.  It was during the viewing of Mulholland Drive that I realized what made Lynch different from other filmmakers...


Article Link:
Your Name:
Your Email:
Recipient Email:
Message: