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Recommend Cannes Diary #5: Genies, Spies, Influencers, and Xenophobia (Email)

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by Elisa Giudici

Sometimes I wish people who plan the daily schedule of festivals would love their audiences more. Placing a Cristian Mungiu movie at the end of very long day of screenings is a challenge. Even the most hardy of festivalgoers might have trouble. Why not use a more energetic movie for the 10 PM slot like Ruben Östlund’s Triangle of Sadness? Sorry for whining a little, but sometimes the real struggle is to give every movie the right chance to shine. Revising titles after seeing them at festivals throughout the years, I've noticed that late night spots sometimes result in harsher reviews than the film deserved.

After the jump three main competition films plus the buzzy Three Thousand Years of Longing from George Miller starring Idris Elba and Tilda Swinton... 


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