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by Cláudio Alves
Last year, I had a lot of fun with the Cannes at Home project. It was meant as a way to dispel FOMO by running a homebound parallel companion to the most prestigious film festival in the world. Since we couldn't screen the new titles on the Croisette, we discussed their directors' past works. In other words: I'm back on my bullshit this year, and you're invited to play along. While this miniseries will focus on the Main Competition and its auteurs, the festivities didn't start with any competing titles. Instead, Michel Hazanavicius' latest film, Final Cut, opened the festival. It's the French remake of a Japanese zombie comedy, and you can read about it in Elisa Giudici's first Cannes Diary.
It only seems appropriate to kick off this parallel project with some thoughts on the original film – Shinichiro Ueda's One Cut of the Dead…
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