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by Cláudio Alves
"Roald Dahl's Matilda the Musical" | © Netflix
The EE Rising Star Award is the only BAFTA category where the final vote doesn't belong to the British Academy but to the public. Over the years, many performers won the award on their way to the top, getting this honor before they were considered household names. Last year's victor, Lashana Lynch, quickly proved a worthy winner, showcasing her range in two shockingly different roles. First, she was a charisma bomb in The Woman King, electrifying the screen with good humor and action star chops. Next, Lynch gave life to Miss Honey in the Matilda musical, singing her way through a gentle, motherly figure who slowly learns how to make herself heard.
Most of this year's nominees don't have anything left to prove, nor do they need help getting recognition. This puts into question the award's purpose. Should previous BAFTA winners be eligible for this honor? Shouldn't the category be reserved for up-and-coming names who could benefit from a career boost at the start of their artistic journey? It seems not, judging by the nominees. They are…
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