The email sent will contain a link to this article, the article title, and an article excerpt (if available). For security reasons, your IP address will also be included in the sent email.
Elisa Giudici reporting from Cannes
THE ZONE OF INTEREST
If the Palme d'Or goes to a movie that pushes the boundaries of cinema as artistic expression, director Jonathan Glazer will have virtually zero competition. It is quite a rare moment in which, as a spectator, you realize that you are witnessing a true cinematic original. Making a movie about the Holocaust that feels groundbreaking is especially challenging given the plethora of films that have addressed and educated the world on the harrowing topic.
In Glazer's adaptation of Martin Amid’s The Zone of Interest, not a single actor's face is shown in close-up for more than a couple of seconds...
Return to Article