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by Christopher James
How often can one person stumble into a murder? This question plagues the comedy Only Murders In The Building, though it has the conceit of a murder podcast to justify it. Season one of The Afterparty has a similar problem to solve but it won many fans thanks to its multi-genre Rashomon style while capitalizing on the murder mystery craze of the moment between The White Lotus and Knives Out. Still, the modular design of the show - changing tone every episode - kept it from being a runaway success like its fellow murder mystery projects.
Season two presents a brand new mystery, but the same episode structure. Does it work better the second time around?
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