For today's Oscar volley, Eurocheese and Nathaniel discuss Best Original Score. 

Editor's Note: This conversation began before the finalist list for Original Score was announced on December 21st but we thought we'd share as is, given what was said!

EUROCHEESE: Nathaniel, I'm excited to discuss this with you! I left theaters several times this year thinking, I need to look that music up when I get home. It's always fun to connect which previous films come from the same composers as well. I expect we'll see both familiar and new faces in the line up this year.

Oppenheimer's epic soundscape comes from Ludwig Göransson, recent Oscar winner for his work on Black Panther (and a nominee for its sequel), He will no doubt score his third nomination for the orchestral nuance he brings, especially standing out in the film's quieter scenes. If I had my say, though, this award would go to Robbie Robertson's ode to the Osage Nation in Killers of the Flower Moon. If I could only award the film a single Oscar, it would be in this category. Robertson has never been nominated, despite his long standing collaboration with Scorsese (including films like Gangs of New York, Shutter Island and Silence). Since he passed away earlier this year, this will be the Academy's last chance to honor him...