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by Cláudio Alves
As part of its efforts to spotlight American independent cinema, the Criterion Channel is now streaming A Single Man, that 2009 Christopher Isherwood adaptation that saw Tom Ford step away from the fashion atelier and into the film set. Terminally stylish, the picture proposes a study on grief that appears deadened itself. Stretch your senses and you'll feel the cold of cadaver skin buried under powders meant to give back the blush of life. And as much as your nose might search for rot, that stench has been suppressed. Instead, one inhales the aroma of mortuary makeup, the nostril-burning cleanness of embalming fluid, the floral notes from perfumed tissue paper stuffed inside the cheeks to fill them out, gift-like. It's all fake, yet its splendor can't be denied.
Within this extended perfume commercial, a couple of performances shine bright. There's Colin Firth's Oscar-nominated turn as a suicidal gay man in the early 60s, while Julianne Moore plays his devoted friend, Charlotte – Charley for short…
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