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by Abe Friedtanzer
Anthologies can be very appealing, probing a number of shorter tales within the span of a feature film. There are no set rules for how they have to connect or whether they really need to, but one particular place is a frequent commonality. Sometimes, however, the uniting force just isn’t all that compelling on its own, and the stories told around it don’t do much to help. There’s nothing inherently wrong with Sundance entry Sunfish (and Other Stories on Green Lake), but none of its four separate segments make much of an impression…
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