Happy 25th to Tom Holland

Happy quarter century today to your friendly neighborhood Spider-Man, Tom Holland. What do you suppose the next five years of his career holds? It seems like his management is trying to capitalize on the franchise money while also squeezing in indies and voice work to diversify a bit? But while trying to do both at once perhaps they aren't being picky enough about anything. All of his recent projects (Cherry, Chaos Walking, The Devil All The Time, Spies in Disguise, Dolittle, Onward) haven't exactly been bullseyes, either with audiences or critics, and all were fast-fades. Next up: another Spider-Man and the video game adaptation Uncharted. If you were on his management team what would you be suggesting for the next five years? 

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Alida Valli @ 100: Star of The Third Man, Suspiria, and Hitchcock’s The Paradine Case

by Brent Calderwood

Alida Valli, who was born 100 years ago today in Pola, Italy (now part of Croatia), became a legend of Italian cinema in classics ranging in style from Luchino Visconti’s operatic epic Senso to Dario Argento’s supernatural slasher Suspiria. In a career that spanned 68 years, international directors were repeatedly drawn to her dark, inscrutable beauty and haunted green eyes. She's still admired by film lovers worldwide for three noir-tinged movies she made while abroad: The Third Man opposite Orson Welles (where she gets one of the most famous screen exits in history), Alfred Hitchcock’s The Paradine Case, and the French horror film Eyes Without a Face.  

In 1947, producer David O. Selznick invited Valli to Hollywood, hoping to repeat the success he’d had with two of his other European “discoveries,” Ingrid Bergman and Vivien Leigh. He gave her the full star treatment, even briefly abbreviating her name to the one-word “Valli” à la “Garbo” and having Hitchcock helm her first American picture...

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Satyajit Ray on Criterion

by Cláudio Alves

Better late than never, I suppose. This month - May 2nd, to be precise - was the centennial of Bengali director Satyajit Ray. While this piece was supposed to be ready then, many factors contributed to its delay. One of which was how intimidating the legacy of this master of cinema is. In any case, before June dawns on us, let's celebrate the great Satyajit Ray and the outstanding collection the Criterion Channel curated for the occasion. Right now, you can find 17 of the director's features plus a 1984 documentary about his work streaming on the platform. For any cinephile with access to the Criterion Channel, this is a treasure trove that shouldn't be missed or ignored…

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The Tree of Life @ 10: The wonder of the movie theater

by Cláudio Alves

As a Portuguese cinephile, the last few weeks have been a weird mixture of happiness for others and ugly jealousy. Looking on social media, I can see international friends returning to movie theaters, fully vaccinated, while I remain at home, not knowing when such privileges will be accessible. I realize this bitterness is wrong, but I can't help it. I miss going to the movies quite terribly. I miss being engulfed by the images projected on the big screen and feeling a wall of sound crash over my head like a tidal wave. However, unlike other filmgoers, I don't care too much about the communal aspect of the experience (with the exception of film festivals).

As a way of exorcising these demons and explaining the yearning, let me describe one of the most memorable filmgoing experiences I can remember. It happened around a decade ago, upon The Tree of Life's release…

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The Postman Rings Four Times

by Brent Calderwood

The Lana Turner / John Garfield classic The Postman Always Rings Twice opened 75 years ago in US theaters. Based on James M. Cain’s bestselling 1934 novel about a wife who colludes with her lover in an attempt to pull off the perfect murder, Postman had to gloss over the grime to get past the censors, but it remains one of the best-loved film noirs of all time, and its huge box office success has been credited with cementing Turner’s status as a top-billed star. 

While The Film Experience isn't set to celebrate the movies of 1946 until June, Postman belongs to multiple years. Here's a rundown of the four most famous screen adaptations of Cain’s crime novel, listed more or less in order of their critical reputation today...

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