10th Anniversary: The Young Victoria

by Cláudio Alves

It's difficult to follow the Oscar race each year without developing a prejudice against prestige biopics. At times it seems its the genre where creativity goes to die, where formulas thrive and the appearance of respectability is more important than genuine artistic merit. These words are perchance, too harsh, because specific qualities do manage to shine through the baseline of expected mediocrity on numerous occassions. Take The Young Victoria, Jean-Marc Vallée's perfectly serviceable retelling of Queen Victoria's early years and marriage to Prince Albert. Rewatching it ten years after its initial release, the film isn't as despairingly dry as you may have remembered. The Young Victoria is one of Emily Blunt's lesser efforts, but she's luminous nonetheless, bringing a sense of modernity that rubs abrasively against the historical setting. She never convinces as a 19th-century ruler, but that manages to feel more like a feature than a fault. As for Rupert Friend's Albert, he remains a charming romantic ideal, establishing great chemistry with Blunt.

And then, of course, there are Sandy Powell's Oscar-winning costumes…

Click to read more ...

100th Anniversary: Felix the Cat

by Tim

This weekend marks the 100th birthday of cinema's first cartoon superstar. On November 9, 1919, Paramount released Feline Follies, produced by Pat Sullivan and animated by Otto Mesmer, a short gag-driven cartoon starring a black cat named Master Tom; the character was an immediate hit and by the time the third cartoon featuring the character came out five weeks later (they worked fast back in those days), he'd been renamed Felix. The rest is history: Felix the Cat was a bonafide phenomenon, igniting a craze for funny, mutable animals that hasn't let up at any point in the last century. Even Walt Disney's Mickey Mouse, the cinematic icon to end all icons, was initially conceived as a blatant Felix knock-off swapping out the cat's pointy ears for circles that were easier to draw.

You might not guess that to watch Feline Follies, which feels like an artifact from a lost civilization. This is what cartoons looked like in the 1910s: empty white voids full of characters who move in straight lines with few distinct movements, speaking in speech bubbles imported directly from newspaper comic strips...

Click to read more ...

Remembering “Precious” on its 10th Anniversary

by Cláudio Alves

Considering I haven't watched it in almost 10 years, it was amazing how much I could accurately recall from Lee Daniel's Precious. As I revisited the Academy-Award winning film to write this piece, I found myself startled at how much of it had seared into my mind. A few line readings were so vivid that, even before hearing them again, they felt like echoes from years ago. Individual scenes had metastazied into memories like vociferous ghosts, brighter than any recollections of my actual life.

The way Gabourey Sidibe says that nobody loves her still hurts, a dagger of vulnerability mercilessly plunged into the audience's heart. No less affecting is Paula Patton's desperate response, assuring Claireece 'Precious' Jones that she is loved. Notice how Mariah Carey shows her social worker's interiority through repressed horror. She wears an armor of acerbity, delivering her lines with a put-upon dryness that both masks and iluminates the hurt inside. Then there's Mo'Nique and her final monologue, a sobbed question tearing through her throat and reminding us that this monster is painfully human. The film even packs some comedic delights. Who can forget Xosha Roquemore telling the class that her favorite color is fluorescent beige?

Click to read more ...

Martin Balsam Centennial, and that "Psycho" death scene

by Nathaniel R

Yes, that guy! It seemed fitting to begin with a photo from one of Martin Balsam’s most famous pictures 12 Angry Men (1957) in which you can barely see him;  Great character actors never get their due in Hollywood. So we wanted to make sure we gave a shout out to one of the key supporting actors of the 50s, 60s, and 70s today on what would have been his 100th birthday. 

Unlike many headlining movie stars of the 20th century, his stage name was also his actual birth name…

Click to read more ...

Ten Years of "A Serious Man"

by new contributor Michael Frank

The Coen brothers have always been masters of crafting a world the audience vaguely understands, but has never experienced. They create characters that are utterly ridiculous, acutely specific, yet still relatable to the common audience member. After 10 years, their dark comedy A Serious Man holds up better than even they could have imagined. It’s a twisted laughfest that agonizes and tickles for a wildly enjoyable 100 minutes. 

A Serious Man isn’t a movie that I’ve rewatched time and time again. It’s one I’ve jumped in and out of over the last 10 years, seeing a snippet here, a snippet there. If you jump into any part of the film, the atmosphere is always the same. You’re quick to realize the plight of Larry Gopnik, and the rapid shrinking of his happiness...

Click to read more ...