4 Things We Didn't Get Around To Saying This Week...

Which we really meant to. It was a sorry week in time management. So... Let's cover them right quick now.

1. The cast of Moulin Rouge! will be reunited on May 3rd on MTV for the 10th anniversary. The movie's exact anniversary is kind of confusing, so I'm choosing to celebrate the 10th anniversary on June 1st which is the date it went wide. May 30th through June 3rd is MOULIN ROUGE WEEK!

2. Congratulations to Darren Aronofsky for his Venice Film Festival Jury gig. I've always said that artists aren't necessarily the best judges of art so you can't really tell if a brilliant person at any one particular thing will have any brilliance at recognizing the brilliance in others within that same thing (hi sentence. You are too long). Nevertheless, it's always interesting to see which film luminaries the prestige festivals choose and who their jury ends up being.

3. I would pay good money for a way to watch old sitcoms with the laugh tracks removed. Why is this not an option? I literally can't watch anything with a laugh track -- with one or two exceptions -- it just takes me right out of what I'm watching.

4. It was 18 years ago this week that the death of Brandon Lee on the set of The Crow was proclaimed "negligence" That was such a sad creepy movie story back in the early to mid nineties but me and my friend Kevan, who I went to every movie at the time were really obsessed with the movie.

I have a soft spot for the movie (it's set in my hometown on a holiday I always had to explain to people "Devil's Night" once I left Detroit) though it's not exactly a great movie. And I love Brandon Lee in it. So I've been sad to hear about the rethink these past couple of weeks (to star Bradley Cooper?). Although technically a revival of this franchise isn't at all sacrilegious because it's a resurrection myth and there's no reason why the Crow can't keep raising the dead, you know?

50th Anniversary: "Judy Judy Judy"

10|25|50|75|100 -anniversary specials

In the annals of showbiz history few one night events are as seismic as "Judy Judy Judy" the night Judy Garland hit Carnegie Hall, 50 years ago at this very moment, for her comeback performance. She was called many things during her legendary career: Hurricane Judy, The World's Greatest Entertainer, Ms. Showbiz and a lot of those titles coincide or funnel right into or through this big night. There's not really any concert footage of this event though it was famously recorded live to fulfill her record contract and eventually became her most important album.

I can't for the life of me remember how that Garland miniseries with Judy Davis covered the event but they must have done so given that it was one of those 'from cradle to grave' bios. Garland died just 8 years after this concert at the age of 47. Do you think the proposed Anne Hathaway as Judy Garland film will stretch this far into Judy's career? Or maybe it will never get made?

Hathaway is 28 years old at the moment, just ten years younger than Judy was on this big night...

Lots more after the jump including four melodic videos because I couldn't help myself. I do get carried away with the mythic actresses, don't I?

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Unsung Heroes: The Technical Advisor on 'The Hustler'

Willie MosconiSerious Film's Michael C. here. 2011 will mark the 50th anniversary of Robert Rossen's classic The Hustler, so in this episode of Unsung Heroes I thought it a great opportunity to tip my hat to a man who is a large part of why the film is still watched and loved five decades later.

There is a vibe you get from certain films, a vibe that tells you “this movie knows what it’s talking about. This is how it really is.” The film's subject may be totally unfamiliar, space travel or gourmet cooking, but you can still sense when a film has done its homework and when it’s faking it. It’s the difference between the poker movie which simply gives the hero a royal flush, and the poker movie that knows it is more impressive to watch the hero play an average hand brilliantly.

Robert Rossen’s The Hustler is a movie you can feel knows its business cold from its first seconds. The Hustler had as technical advisor pool playing great Willie Mosconi, a man whose impact on the game of pool is comparable to Wayne Gretzky’s on hockey. His mastery seeps into every frame of this movie.

From the way the players screw their cues together to the way they call their shots this film has every detail in place. The Hustler is especially skilled at showing what happens when two competitors at the top of the game come up against each other.  A lesser movie would simply have billiard balls spinning and hopping all over the table but The Hustler is wiser than that. Thanks to Mosconi’s know-how, and the great script by Rossen, it makes clear that the game is won or loss on stamina and concentration, not on show-off displays and trick shots.

Rather than bogging it down with technical info this level of detail opens the story as a battle of personalities. The Hustler understands not only how pool is played, but how different characters types manifest themselves on the table. In one memorable exchange George C. Scott informs Newman's Fast Eddie he has the talent to be the best. When Newman asks why it was he lost anyway, Scott smirks that it was a lack of character. It's a testaments to the depth of the film's portrait of the game that we know exactly what he’s talking about.

Beyond creating a fully realized battlefield for the characters to clash, the technical know-how achieves something even more crucial to the film’s lasting success: It makes the movie incredibly cool. This is what I responded to most strongly when I first found this film as a teenager. These guys weren’t just hotshots. They were religiously devoted to the game. The question of the best was as weighty in the pool hall as it was in the world of chess or dance. With the aide of Mosconi, Rossen was able to show, for the first time to most of the public, that the pool hall was a worthy arena for this level of drama.

"Introducing" Winona Ryder. Here's to 25 Years in Movies

Congratulations to our Noni on a quarter century in the movies. Twenty-five years ago yesterday her first film (Lucas) hit movie theaters. Jump forward a quarter century and here she is again; Black Swan hits DVD today as if celebrating that very silver screen anniversary. People will be popping in the Black Swan DVD and Blu-Ray all over the place today and there she'll be, glass raised perversely. On her own behalf?

Oh sure, it's an in-character moment as "Beth", retiring prima ballerina, but don't think for a second that Black Swan's casting wasn't carefully orchestrated for the mirror affect of all those dark pale beauties not to mention the the cruel passing of the stardom and movie goddess batons.

I bring up this unpublicized anniversary because Noni could use a little public love... or at least Hollywood could use a public reminder that she still has many fans. When she's used correctly, as she was in Black Swan, she's really something else.

I fell instantly and madly in love with her the very first second I saw her in Lucas, which is as stated the first time anybody had the opportunity to see her onscreen. She was all of 14 but it wasn't pervy. This was 25 years ago and we were both babies... so age appropriate! Just look at her. This was the thunderous moment, burned forever into my brain.

I was bursting in my seat "who is this?!" Truth: This is the very first time I ever looked for a name in the movie credits. This was four years before IMDb even existed y'all. I memorized her name and hoped against all hope I'd see her again. Beetlejuice rescued me two years later. People kept calling it a "Michael Keaton Movie" and I'm like "WINONA RYDER! Squeeeee!!!" and everyone is like "who?" and after Beetlejuice nobody asked little me that anymore.

Lucas is a sweet movie but it fell apart right then and there because the whole movie is about how 14 year old Lucas (Corey Haim) has a crush on 16 year old Maggie (Kerri Green) and then THIS girl walks in, his friend Rina (Noni) and you immediately realize she loves him and he barely even notices her. So Winona is forced to look at Corey Haim (RIP) longingly for the whole movie. Like SHE is unworthy of him.

Oh, the humanity!

Do you remember the first time you saw Winona? And for those of you old enough to remember movie-watching before the internet (That would be 30somethings on up), did you ever have that "I must find out who this is!" credit scroll moment with anyone?

New to the Film Experience? Try us out for a few weeks to see if you like.
Related Posts of Note: Overheard: Black Swan, Sassy Gay Swan, Aronofsky's Favorite Actors

Tennessee 100: Baby Doll

Andreas from Pussy Goes Grrr here, with a last-minute postscript to Tennessee Williams Week.

Sweaty, conflicted sexuality? Check. A seedy, decaying southern setting? Check. Characters who alternate wildly between decadent hedonism and harrowing descents into madness? Yes, we're in pure Tennessee Williams country with Elia Kazan's Baby Doll, starring Carroll Baker as the titular 19-year-old minx. She's married to Archie Lee Meighan (Karl Malden), the hot-tempered owner of a local cotton gin, and together they live in a rural mansion called Tiger Tail that, like their respective families, has seen better days.

This creaky house, considered haunted by the locals, plays a role similar to that of the cramped tenement in Kazan's adaptation of A Streetcar Named Desire. It helps define the film visually with its labyrinthine corridors, piled high with the detritus of the past, and it's the perfect setting for the psychosexual slapstick antics of Baby Doll and her would-be seducer, Silva Vacarro (Eli Wallach). Vacarro—a Sicilian interloper who's new to the area—suspects Archie Lee of burning down his cotton gin, and he's willing to resort to some hanky-panky in order to secure proof.

So begins an absurd, twisted battle of the wills, in which the line between economic and sexual success gets blurred to the point of invisibility. Read the full post.

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