Review: "The Lost City of Z"

by Chris Feil

A sprawling, formally immaculate epic like James Gray’s The Lost City of Z is a rare enough to seem like a novelty these days, and Gray’s rendering makes the film feel no less precious. It plays almost like a delicate jewel box on the screen, as if any minute it will crumble to our modern touch. Z looks and breathes of a bygone era.

Charlie Hunnam stars as Colonel Percival Fawcett, an unheralded military man who rises to prominence for exploring the uncharted Amazon in the early 20th century. His first expedition leads to an obsession when he discovers signs of an ancient ruins, suggesting a developed civilization previous undiscovered by western eyes. Fawcett’s three increasingly less successful journeys could be seen as indicative of the virtue or punishment of an obsessive goal, depending on your vantage.

While the film’s trajectory is familiar to epics over the most recent decades, what sets the film apart is its complex emotional terrain...

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NYFF: The Lost City of Z

Here's Jason reporting from NYFF on the Closing Night film from James Gray.

Most of us aren't fortunate enough to have our lives live themselves in a perfect three-act structure. "Here I was born, and there I died," says the ghostly Madelaine in Vertigo, with an entire lifetime intuited by a comma - that's just second-act stuff, after all. Colonel Percival "Percy" Fawcett -- the real-world explorer whose explorations formed the basis first for David Grann's book The Lost City of Z and now the movie from The Immigrant director James Gray -- made three trips into the Amazonian jungle searching for his El Dorado, lending his life-story the perfect apparatus for yarn-spinning. A beginning, a wandering middle, and something approaching an end...

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YNMS: The Lost City of Z

Laurence here. Many people were disappointed by the way James Gray's The Immigrant went mostly unnoticed beyond critics' groups. From the story to the stars, it seemed like a fairly strong prospect to garner Gray some mainstream awards attention, but the Weinsteins never seemed confident in it. Now Gray is making a decidedly more bombastic play to voting members with his new film, The Lost City of Z. This time he's paired up with Jennifer Aniston's former production company, Plan B, which has become very good at producing Best Picture nominees.

Based on David Grann's non-fiction bestseller of the same title, The Lost City of Z stars Charlie Hunnam as Percy Fawcett, a British explorer in the 1920s who led an expedition to the Amazon rainforest in search of a mysterious lost city. Grann's book chronicles the numerous attempts over the years to follow Fawcett's footsteps, with evidence emerging in 2005 that the city perhaps did, in some form, exist. The film seems to primarily function as a biopic of Fawcett, whose obsession with Z's existence led him to the heart of darkness. 

Let's break down the now hard-to-find trailer after the jump...

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More drama please, Crimson Peak

Here's Murtada to review of the new wide release Crimson Peak.

Visually Guillermo Del Toro’s Crimson Peak is a big sumptuous meal. So visually full at all times that it masquerades a thin plot and uninteresting lead character and almosts gets away with fooling us into thinking it a great film. The compelling visuals keep it enticing throughout: Huge frilly sleeves on the dresses; red smoke flaring up from creeks on the floor; a creepy black skeleton hand moving ominously. It never stops.

More...

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We Can't Wait #6 - Crimson Peak

Team Experience is counting down our 15 most anticipated for 2015. Here's Jason...

Who & What: Guillermo Del Toro directs a script he co-wrote with Matthew Robbins (the two have worked together several times but Robbins' most important credit is clearly having directed the seminal-to-me The Legend of Billie Jean - "Fair is fair!"); British playwright Lucinda Coxon (who also wrote the script for the upcoming The Danish Girl) was brought in to add "the proper degree of perversity and intelligence" to the tale.

Mia Wasikowska plays an aspiring novelist named Edith Cushing (I have to share the character names, they're too juicy not to) who gets swept off her feet by the dashing and dark Sir Thomas Sharpe (played by the dashing and dark Tom Hiddleston) and subsequently carried off to his sinister Gothic mansion full all of the requisite spires and shadows with an incestuous-seeming Jessica Chastain as the Lady Lucille Sharpe sneaking amongst them. Charlie Hunnam plays an old friend of Edith's (named "Dr. Alan McMichael" and it doesn't get much more "decent" and "boring" and "doesn't stand a chance in hell" than that) who warns her against the lot of it.

Why We're Excited About it: Del Toro's said that this is his stab at making one of his small Spanish-language movies in English and, while I'll defend the Hellboys and Pacific Rim plenty, there's no denying his greatest works have been the smaller character-based oddities of The Devil's Backbone and Pan's Labyrinth. The list of influences he cites on Peak - The Haunting, The Innocents, and The Shining - are all the precise titles we want to hear mentioned, while at the same time he says his aim is to deconstruct our genre expectations. Plus the cast is as talented as they are gorgeous (which is to say plenty) and if you've watched the pitch-perfect trailer then you've seen the spectacular costumes (those poofy sleeves!) they're running up and down the haunted staircases in as a storm blows the curtains and the fireplace goes out and man oh man do I love me a good old-fashioned Gothic haunted house movie!    

What if it all Goes Wrong? As small as Del Toro kept saying he wanted this movie to be, the trailer is BIG, full of CG ghosts rising through floors and sets seemingly built all the way up to the thunderstruck heavens -  even if it's contained to mostly the titular house and grounds I do worry that the filmmaker's well-documented giddiness over his subject might've maybe carried him away on a storm-cloud of everything-but-the-haunted-kitchen-sink and we'll lose the characters underneath those gorgeous poofy sleeves.

When: Carve your pumpkins and throw on your best velvet cape and head straight to the theater - the movie hits right when the movie should, just in time for All Hallows. Universal's got it slated for October 16th in the US.

Previously...

#7 45 Years
#8 Bridge of Spies
#9 Taxi
#10 Freeheld
#11 A Bigger Splash
#12 The Dressmaker
#13 The Hateful Eight
#14 Knight of Cups
#15 Arabian Nights
Sidebar 3 Animated Films
Sidebar 2 Tomorrowland
Sidebar 1 Avengers: Age of Ultron
Intro Pick a Blockbuster