Doc Corner: 'Taylor Mac’s 24-Decade History of Popular Music'

By Glenn Charlie Dunks

It’s rather fitting to have watched Taylor Mac’s 24-Decade History of Popular Music at the tail end of pride month as LGBTQ+ rights are yet again being politicised and stripped while its community are demonised. Queer people of various sorts have existed for more than 24 decades, obviously. But in his massive theatrical undertaking, playwright and performance artist Taylor Mac integrates his own queer sense of self into American history.

Through song, spoken word, and flamboyant theatricality, he tells the sort of the United States of America, using music to celebrate all kinds of humanity and asking us as an audience to see ourselves and our struggles across time...

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Doc Corner: 'Still: A Michael J. Fox Movie' is a big Emmy contender

By Glenn Charlie Dunks

Even if Michael J. Fox wasn’t American television royalty, including being a five-time Emmy Award winner, Still: A Michael J. Fox Movie would probably prove to be quite popular with the television academy. However, as a three-peat winner for Family Ties (“I feel four feet tall!” he said from the stage), a winner once more for Spin City, and a regular nominee in the guest acting category for just about anything he would take time to appear in (including Curb Your Enthusiasm; The Good Wife five times; and Rescue Me, another winner), I feel pretty confident that Davis Guggenheim’s moving biographic documentary will do well at this year’s Emmys.

And rightfully so...

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Queering the Oscars: Knowing Our History in “Changing Our Minds"

For Pride Month, Team Experience is looking at LGBTQ+ related Oscar nominations... 

dr evelyn hooker

by Eurocheese

When this series was announced, my first goal was to find a film that was completely new to me on a subject outside of my cinematic wheelhouse. Watching this film served as a reminder of how little I know about LGBTQ+ history. While I’d heard the name Evelyn Hooker before, I’m ashamed to admit I couldn’t have told you what role she played in history, much less the impact she had on the state of gay rights today. If the same is true for you, dear reader, I highly recommend carving 107 minutes out of your day to learn a bit about her impact in the Oscar nominated documentary Changing Our Minds: The Story of Evelyn Hooker (1992). I want to offer a trigger warning though as this film delves into difficult topics and images.

The sliding doors nature of Hooker coming to study homosexuality is mind-boggling if you stop to picture a world where her findings never existed...

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Doc Corner: John Ford and the 'Midnight Cowboys'

By Glenn Charlie Dunks

“When in doubt, make a western.” – John Ford.

This quote stuck out to me in the opening of The Taking, the latest film about film from Swiss director Alexandre O. Philippe. Like ford, director John Schlesinger made a western himself after an early-career stumble. The films of John Ford and Schlesinger’s Midnight Cowboy aren’t linked too much; at least not on the surface. But with two new documentaries, they are given visual deep-dives that tie them together as logical ends of a spectrum that used images to sell America as a hard land or hard men.

Both Philippe’s The Taking and Nancy Buirski’s Desperate Souls, Dark City and the Legend of Midnight Cowboy err on the side of cinematic essays than traditional behind-the-scenes making-of documentaries. Each offer their subjects’ take on the (quote unquote) western as both of their time and in many ways timeless. I enjoyed them both.

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Doc Corner: The latest musician biographies

By Glenn Charlie Dunks

You’re a little bit damned if you do and a little bit damned if you don’t when it comes to musician bio-docs these days. They remain prolific, a cottage industry that is popular with audiences and easy choices for distributors and sales agents with a built-in audience. It makes sense that we get so many of them each year. And if you’re not inclined to watch so many of them, you may not be as burnt out on them as I appear to be. But—and I swear I’m not just being grumpy—are they actually getting worse, too? They certainly don’t seem to be getting any better, with most choosing to abandon any real directorial vision in favour of standard story beats.

Three recent examples all have strong elements, telling their subject’s life story in ways that I have no doubt will appeal to many fans, devoted or casual alike. But Love to Love You, Donna Summer; John Farnham: Finding the Voice and Fanny: The Right to Rock have all left me relatively cold despite the icons at their centre, plagued by frustrating tech choices and failing to reach the heights of the music that made their subjects famous in the first place.

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