Sundance Review: Tracing the History of the Police in ‘Power’

By Abe Friedtanzer 

Police reform is a hot-button issue, with calls from the left to "defund the police" and responses from the right that “blue lives” matter. Complicating those concepts is the fact that every American has grown up with the police as an established reality. Considering what something else could look like requires an acknowledgment that it hasn’t always been this way and perhaps shouldn’t be. Yance Ford’s documentary Power looks at the history of the police and how that’s shaped where we as a country now.

So much of present-day policing stems from racist institutions, beginning with slave catchers as the original model for police forces, which first began in Boston and quickly spread throughout the country...

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321 Features vie for Oscars, but only 266 for Best Picture

by Cláudio Alves

Though a likely Best Visual Effects nominee, THE CREATOR is ineligible in the Best Picture race.

While we're still recovering from last night's Golden Globes (yay, Lily Gladstone!), the Academy has released its final eligibility lists pertaining to most categories outside the music, shorts, and specialized feature ones. Overall, 321 films will vie for Hollywood's little golden men. However, only 266 can compete for the Best Picture honor, a first in Oscar history. Such productions as Godland, Mami Wata, The Creator, The Marvels, and the new Ant-Man movie are out of the running. This year marks the start of RAISE - Academy Representation and Inclusion Standards – to whom films must submit a confidential form to guarantee Best Picture eligibility…

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Doc Corner: Wiseman and McQueen's duelling 4-hour epics

By Glenn Charlie Dunks

Like any sane and rational person, I devoted eight precious hours of my festive season to watching the two (yes, two) four-hour documentaries that have been offered up by famous directors. Length notwithstanding, the very idea of new films by Frederick Wiseman and Steve McQueen should be hard to pass up most of the time and so we have Menus Plaisirs – Les Troisgros and Occupied City, two very different movies that use their epic lengths to differing effect. Some better than others.

Although Wiseman’s familiarity with such a runtime makes his film the perhaps more naturally more successful, McQueen at least has enough ideas to make his latest work of non-fiction to (somewhat) keep up with the pace set by the chefs of three supreme eateries in France. Although it becomes quite clear that length, in this case, is not equal.

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Doc Corner: 'American Symphony' is a biography misfire

By Glenn Charlie Dunks

Director Matthew Heineman has made a name for himself covering warzones in narrative film (A Private War) and most prominently in documentary (City of Ghosts, Cartel Land). I don’t blame him for stepping back just this once and making a movie about a charming musician and his rise to zeitgeist prominence. The film is American Symphony about Jon Batiste, a soft lob of a tribute that somewhat perversely is the film that could very well win him an Academy Award. Even documentarians can follow the same tried-and-tested path. I just wish I liked it more.

Batiste is 37 years old. American Symphony doesn’t say this stat outright as far as I recall, but it goes to great pains to make the audience very well aware that he is some sort of wunderkind. A Juilliard graduate who landed a big break as bandleader on The Late Show with Stephen Colbert and then shocked people by winning four Grammy Awards including Album of the Year as well as an Oscar for the original score to Pixar animation Soul.

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Friday Awards Wrap-Up: Critics, Documentaries and Top Ten Fever!

by Cláudio Alves

Lily Gladstone started strong, but Emma Stone takes the lead in Best Actress this week.
Another week, another slew of critics awards and top 10s from some of the world's most prestigious film publications. Though Killers of the Flower Moon continues to lead the Best Picture race, it's not a consensus pick. Indeed, a wide variety of titles have taken top honors, making for an exciting season. Well, at least it's like that in the most important category. Da'Vine Joy Randolph continues to sweep the Supporting Actress prizes, having won every single one in the season so far, while Emma Stone has taken the lead in Best Actress over Lily Gladstone. The men's categories are more chaotic, while Nolan is ahead among directors. All in all, it's been a busy week…

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