To Me, You Are Perfect: Ranking the Stories in "Love Actually"

By Spencer Coile 

Every holiday season, we sit down with our favorite festive movies and return to the magic these films have to offer. Some turn to classics such as It’s a Wonderful Life or the various renditions of A Christmas Carol. Others favor Die Hard, Gremlins, or something a bit more contemporary -- The Family Stone, anyone? Regardless, we come back to our favorites for comfort and a jolly mood.

Love Actually, to me, is that Christmas movie. Using the “interwoven lives” structure that so many rom-coms have since used disastrously, Love Actually uses the formula with beautiful effect. The result is a kindhearted, giant hug of a film that always manages to lift the spirits. Put on your holiday hats as we rank the 9 storylines... 

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Soundtracking: "Love Actually"

Chris's weekly look at music in movies gets festive for Love Actually!

Love Actually is so loaded with musical sequences you could almost call it a quasi-musical. That said, it is light on holiday music even though it is set at Christmas time. However, you can easily forgive Love Actually if you want it to be loaded on melodic holiday cheer because it uses the Christmas song of the past few decades: Mariah Carey’s All I Want for Christmas is You”.

Like Spider-Man and multiple lobsters’ participation in this Christmas pageant, Love Actually throws everything it can into its insane mix but is nevertheless a delight because of the reliable charms of genre hallmarks. “All I Want for Christmas is You” is about as indispensable as they come and a guaranteed bop. How many times have you already heard it this holiday season and how many more times will you hear it again before it’s over? Despite its ubiquity, the answer to both questions is “probably not enough”.

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92 Days til Oscar. Some Living Trivia For Ya!

Did you know the earliest Oscar year which boasts 20 acting nominees who are still with us is 1992? It's the 25th anniversary of that year and that's the furthest back in time you can go from which all the acting nominees are still walking this earth. With the very noticeable exception of long retired Gene Hackman (no one has been able to convince him to come back to the movies -- and directors have tried!) most of them are still working, too. The lesson is simple: cherish your favorite actors while they're with us because no one lasts forever... except through their art!

The nominees that year were:

Leading ACTRESS	Leading ACTOR	Supporting ACTRESS	Supporting ACTOR
Deneuve Indochine	Downey Jr Chaplin	Davis Husbands & Wives	Davidson Crying Game
McDonnell Passion Fish	Eastwood Unforgiven	Plowright Enchanted April	Hackman Unforgiven ★
Pfeiffer Love Field	Rea Crying Game	Redgrave Howards End	Nicholson A Few Good Men
Sarandon Lorenzo's Oil	Pacino Scent of a... ★	Richardson Damage	Pacino Glengarry...
Thompson Howards End ★	Washington Malcolm X	Tomei My Cousin Vinny ★	Paymer Mr Saturday Night

If you'd like a breakdown of the earliest years for the individual categories, it won't surprise you to hear two things. First, that we're offering that list since we're trivia overachievers here at TFE . Second, those categories line up exactly like average age statistics for those races i.e. lead Actress skews youngest, then Supporting Actress, then Actor, and in last place is Supporting Actor because that's the category that's most frequently enamored of veterans. Those details are after the jump...

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Beauty vs Beast: Sisterly Sensibilities

Jason from MNPP here using this week's "Beauty vs Beast" to wish a happy birthday to one of our favorite directors, the great Ang Lee. In a strange coincidence I spent some of this weekend talking Ang on Twitter even though I hadn't realized it was about to be his birthday today, so I'd say Fate chose this week's contest. And because more than anything a battle between actresses livens you folks up, let's face down the Sisters Dashwood of Ang's 1995 classic Sense & Sensibility.

And no before anyone asks I don't think Kate Winslet or Emma Thompson to be beastly in any manner. But seeing as the film itself pits their two ways of existing at odds with one another for the majority of its run-time (only to eventually decide, with fine wisdom, that the sisters could clearly stand to learn a little from one another) it doesn't seem completely far-fetched to pitch them against one another here. They are, for all their adoration of one another, each other's main antagonists once the who's who of romance falls away.

PREVIOUSLY Even though Angela Lansbury's original Manchurian Candidate performance won somewhat decisively over Meryl Streep's in the remake (she took 74% of the vote) it was a real battle in the comments. Said Jono:

"I am surprised this never came up before. I voted for Meryl because Angela will get more votes, and I love both performances. The Demme version is kind of underrated - everyone in it is uniformly great. But the original with Angela is impeccable."

NYFF: The Meyerowitz Stories (New and Selected)

Team Experience is at the New York Film Festival. Here's Manuel Betancourt on Noah Baumbach's new film, coming to Netflix on October 13th.

If the title hadn't clued you in just yet, Noah Baumbach's latest frames itself as a collection of short stories. Explaining this structure at a press screening during the New York Film Festival, the Frances Ha and The Squid and the Whale director said it had helped him create these discrete "stories" that together would tell a larger narrative about this (you guessed it) dysfunctional family.

We first meet Danny (Adam Sandler in full Punch Drunk Love mode), a middle-aged man who can't help but get needlessly irritated at the parking situation in New York as he heads to visit his father with his college-bound daughter in tow (Grace Van Patten, a revelation). Harold (Dustin Hoffman), who now lives with Maureen (Emma Thompson, having a ball in a much broader comedy than the melancholy film around her), is a sculptor who's made a modest name for himself. Jaded by the world, full of himself, self-assured of his scathing opinions about other people's work, Harold is an oppressive force, the kind of man whose ego all but fills the room...

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